| Summary: | This article aims to discuss the notion of perception in body practice in dance from the conception of the British choreographer Julyen Hamilton. For that purpose, an artistic practice of ethnography (Fortin, 2009) has been held in which the privileged field was the studio itself and workshops held in Berlin’s circuits of contemporary dance between January and June 2015. The methodological considerations are based on a research of the authors and their body dance practices as locus of a becoming-choreographic, as a path of a process of immersion in the practice itself. The aim is a contribution to the debate and thinking about dance practices as related to art and creation.Keywords: Hamilton; perception; instant composition; ethnography of artistic practice, dance.“Moviment, Dance and Ground: The Work with the Perception in the Practices of the Instantany Composition of Julyen Hamilton”MOVIMENTO, DANÇA ECHÃO: O TRABALHO COM A PERCEPÇÃO NAS PRÁTICAS DA COMPOSIÇÃO INSTANTÂNEA DE JULYEN HAMILTON
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