Notas para (Re)Ver as Relações Entre o Feminino e o Masculino nos Longa-Metragens de Jorge Furtado
<p>Three contemporary movie narratives produced in Rio Grande do Sul by Jorge Furtado were analized. The objective is to investigate the films from the point of view of genre in the cultural and relational dimensions of the category, showing the differences between the female characters. The...
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Format: | Article |
Language: | Portuguese |
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Universidade Federal do Rio Grande do Sul
2008-12-01
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Series: | Intexto |
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Online Access: | http://seer.ufrgs.br/index.php/intexto/article/view/6870 |
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author | Ana Carolina D. Escosteguy Cristiane Freitas Gutfreind Ricardo Romanoff Antunes Guilherme Brendler |
author_facet | Ana Carolina D. Escosteguy Cristiane Freitas Gutfreind Ricardo Romanoff Antunes Guilherme Brendler |
author_sort | Ana Carolina D. Escosteguy |
collection | DOAJ |
description | <p>Three contemporary movie narratives produced in Rio Grande do Sul by Jorge Furtado were analized. The objective is to investigate the films from the point of view of genre in the cultural and relational dimensions of the category, showing the differences between the female characters. The three movies chosen for this debate are: Houve uma Vez Dois Verões (2002), O Homem que Copiava (2003) and Meu Tio Matou um Cara (2004). Although the movies have the narration by the male characters in off, there are the women who, preponderantly break out the plot conflicts. From this observation it was concluded that the dynamics of the male´s view has been flexible, although keeping some of their original characteristics.</p> |
first_indexed | 2024-12-14T21:57:43Z |
format | Article |
id | doaj.art-54704a7f7c2443c7bf1272def841a929 |
institution | Directory Open Access Journal |
issn | 1807-8583 |
language | Portuguese |
last_indexed | 2024-12-14T21:57:43Z |
publishDate | 2008-12-01 |
publisher | Universidade Federal do Rio Grande do Sul |
record_format | Article |
series | Intexto |
spelling | doaj.art-54704a7f7c2443c7bf1272def841a9292022-12-21T22:46:05ZporUniversidade Federal do Rio Grande do SulIntexto1807-85832008-12-010174323Notas para (Re)Ver as Relações Entre o Feminino e o Masculino nos Longa-Metragens de Jorge FurtadoAna Carolina D. EscosteguyCristiane Freitas GutfreindRicardo Romanoff AntunesGuilherme Brendler<p>Three contemporary movie narratives produced in Rio Grande do Sul by Jorge Furtado were analized. The objective is to investigate the films from the point of view of genre in the cultural and relational dimensions of the category, showing the differences between the female characters. The three movies chosen for this debate are: Houve uma Vez Dois Verões (2002), O Homem que Copiava (2003) and Meu Tio Matou um Cara (2004). Although the movies have the narration by the male characters in off, there are the women who, preponderantly break out the plot conflicts. From this observation it was concluded that the dynamics of the male´s view has been flexible, although keeping some of their original characteristics.</p>http://seer.ufrgs.br/index.php/intexto/article/view/6870GêneroIdentidades CulturaisCinema gaúcho |
spellingShingle | Ana Carolina D. Escosteguy Cristiane Freitas Gutfreind Ricardo Romanoff Antunes Guilherme Brendler Notas para (Re)Ver as Relações Entre o Feminino e o Masculino nos Longa-Metragens de Jorge Furtado Intexto Gênero Identidades Culturais Cinema gaúcho |
title | Notas para (Re)Ver as Relações Entre o Feminino e o Masculino nos Longa-Metragens de Jorge Furtado |
title_full | Notas para (Re)Ver as Relações Entre o Feminino e o Masculino nos Longa-Metragens de Jorge Furtado |
title_fullStr | Notas para (Re)Ver as Relações Entre o Feminino e o Masculino nos Longa-Metragens de Jorge Furtado |
title_full_unstemmed | Notas para (Re)Ver as Relações Entre o Feminino e o Masculino nos Longa-Metragens de Jorge Furtado |
title_short | Notas para (Re)Ver as Relações Entre o Feminino e o Masculino nos Longa-Metragens de Jorge Furtado |
title_sort | notas para re ver as relacoes entre o feminino e o masculino nos longa metragens de jorge furtado |
topic | Gênero Identidades Culturais Cinema gaúcho |
url | http://seer.ufrgs.br/index.php/intexto/article/view/6870 |
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