Italians, the “Good People”: Reflections on National Self-Representation in Contemporary Italian Debates on Xenophobia and War
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| Format: | Article |
| Language: | English |
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The Outlines Association
2010-04-01
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| Series: | Outlines |
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| Online Access: | http://ojs.statsbiblioteket.dk/index.php/outlines/article/view/2370 |
| Summary: | <!--[if gte mso 9]><xml> <o:DocumentProperties> <o:Template>Normal</o:Template> <o:Revision>0</o:Revision> <o:TotalTime>0</o:TotalTime> <o:Pages>1</o:Pages> <o:Words>91</o:Words> <o:Characters>520</o:Characters> <o:Company>..</o:Company> <o:Lines>4</o:Lines> <o:Paragraphs>1</o:Paragraphs> <o:CharactersWithSpaces>638</o:CharactersWithSpaces> <o:Version>11.1280</o:Version> </o:DocumentProperties> <o:OfficeDocumentSettings> <o:AllowPNG /> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:Zoom>0</w:Zoom> <w:DoNotShowRevisions /> <w:DoNotPrintRevisions /> <w:HyphenationZone>14</w:HyphenationZone> <w:DisplayHorizontalDrawingGridEvery>0</w:DisplayHorizontalDrawingGridEvery> <w:DisplayVerticalDrawingGridEvery>0</w:DisplayVerticalDrawingGridEvery> <w:UseMarginsForDrawingGridOrigin /> </w:WordDocument> </xml><![endif]--> <!-- /* Font Definitions */ @font-face {font-family:"Times New Roman"; panose-1:0 2 2 6 3 5 4 5 2 3; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:50331648 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ansi-language:EN-GB;} table.MsoNormalTable {mso-style-parent:""; font-size:10.0pt; font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 2.0cm 2.0cm 2.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> <!--StartFragment--> <p class="MsoNormal" style="text-align: justify;"><span style="font-size: 11pt;" lang="EN-GB">Moving among historical material and contemporary debates on xenophobia and war, this paper is an exploration of the self-representation “<em>Italiani Brava Gente</em></span><span style="font-size: 11pt;" lang="EN-GB">”, an image claiming the intrinsic goodness of the Italian people. Originated during the first Italian colonial enterprises, it has been used also for overcoming the horrors of Fascism and is evoked in contemporary Italy too for justifying traumatic and violent events. Functioning as an ideological laundry for reformulating and then setting aside disquieting moments of national shame, “<em>Italiani Brava Gente</em></span><span style="font-size: 11pt;" lang="EN-GB">” is central to the construction of a modern Italian identity.</span></p> <!--EndFragment--> |
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| ISSN: | 1399-5510 1904-0210 |