Umění, karikatura, publikum a veřejnost: Poznámky k vídeňské Secesi

This study deals with the most relevant Viennese magazines of humour and satire (Der Floh, Figaro, Kikeriki! and Wiener Caricaturen), published at the time of the emergence and early years of the Vienna Secession movement. Its aim is to ascertain the nature of their mediation between the modernist t...

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Main Author: Roman Prahl
Format: Article
Language:ces
Published: Karolinum Press 2020-09-01
Series:Acta Universitatis Carolinae: Philosophica et Historica
Subjects:
Online Access:http://www.karolinum.cz/doi/10.14712/24647055.2020.2
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author Roman Prahl
author_facet Roman Prahl
author_sort Roman Prahl
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description This study deals with the most relevant Viennese magazines of humour and satire (Der Floh, Figaro, Kikeriki! and Wiener Caricaturen), published at the time of the emergence and early years of the Vienna Secession movement. Its aim is to ascertain the nature of their mediation between the modernist tendencies in art and the local general public. The main focus is on these periodicals’ positions in their contemporary polemic around modernism. In dealing with this polemic, the author also refers to the use of elements of humour by protagonists and advocates of the Vienna Secession movement, most notably in the periodical Ver sacrum.
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spelling doaj.art-555e0a0b9bfb4626ba886bba7f81fcdd2022-12-22T01:07:41ZcesKarolinum PressActa Universitatis Carolinae: Philosophica et Historica0567-82932464-70552020-09-0120192114710.14712/24647055.2020.29833Umění, karikatura, publikum a veřejnost: Poznámky k vídeňské SecesiRoman PrahlThis study deals with the most relevant Viennese magazines of humour and satire (Der Floh, Figaro, Kikeriki! and Wiener Caricaturen), published at the time of the emergence and early years of the Vienna Secession movement. Its aim is to ascertain the nature of their mediation between the modernist tendencies in art and the local general public. The main focus is on these periodicals’ positions in their contemporary polemic around modernism. In dealing with this polemic, the author also refers to the use of elements of humour by protagonists and advocates of the Vienna Secession movement, most notably in the periodical Ver sacrum.http://www.karolinum.cz/doi/10.14712/24647055.2020.2art exhibitionsartists’ house viennacartoons of artder flohfigarogenossenschaft der bildenden künstler wienskikeriki!periodicals of humor and satirever sacrumvereinigung der bildenden künstler österreichsvienna secessionwiener caricaturen
spellingShingle Roman Prahl
Umění, karikatura, publikum a veřejnost: Poznámky k vídeňské Secesi
Acta Universitatis Carolinae: Philosophica et Historica
art exhibitions
artists’ house vienna
cartoons of art
der floh
figaro
genossenschaft der bildenden künstler wiens
kikeriki!
periodicals of humor and satire
ver sacrum
vereinigung der bildenden künstler österreichs
vienna secession
wiener caricaturen
title Umění, karikatura, publikum a veřejnost: Poznámky k vídeňské Secesi
title_full Umění, karikatura, publikum a veřejnost: Poznámky k vídeňské Secesi
title_fullStr Umění, karikatura, publikum a veřejnost: Poznámky k vídeňské Secesi
title_full_unstemmed Umění, karikatura, publikum a veřejnost: Poznámky k vídeňské Secesi
title_short Umění, karikatura, publikum a veřejnost: Poznámky k vídeňské Secesi
title_sort umeni karikatura publikum a verejnost poznamky k videnske secesi
topic art exhibitions
artists’ house vienna
cartoons of art
der floh
figaro
genossenschaft der bildenden künstler wiens
kikeriki!
periodicals of humor and satire
ver sacrum
vereinigung der bildenden künstler österreichs
vienna secession
wiener caricaturen
url http://www.karolinum.cz/doi/10.14712/24647055.2020.2
work_keys_str_mv AT romanprahl umenikarikaturapublikumaverejnostpoznamkykvidenskesecesi