Marvell et l’éloge ambigu du roi martyr
Andrew Marvell has offered one of the most famous poetical representations of Charles’execution in his “Horatian Ode Upon Cromwell’s Return from Ireland”. In this poem, the king submits to his fate with remarkable grace and courage (ll. 53-64). This passage, appearing as it does in an ode dedicated...
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| Format: | Article |
| Language: | English |
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Institut du Monde Anglophone
2011-09-01
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| Series: | Etudes Epistémè |
| Online Access: | http://journals.openedition.org/episteme/432 |
| _version_ | 1819293805210238976 |
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| author | Gilles Sambras |
| author_facet | Gilles Sambras |
| author_sort | Gilles Sambras |
| collection | DOAJ |
| description | Andrew Marvell has offered one of the most famous poetical representations of Charles’execution in his “Horatian Ode Upon Cromwell’s Return from Ireland”. In this poem, the king submits to his fate with remarkable grace and courage (ll. 53-64). This passage, appearing as it does in an ode dedicated to Cromwell, has fuelled heated debates among specialists, concerning in particular the delicate issue of the poet’s political allegiance at the moment when the poem was composed. Yet, if we leave aside the specific issue of the author’s wavering political allegiances and choose instead to concentrate on the strategies of representations, not just of the regicide but of the monarchical system as a whole, we find that they remain surprisingly consistent in poems that have clearly different political stances. Beyond the question of the acceptation or rejection of the regicide, it is therefore important to consider the poet’s specific vision of the event and of a political system whose greatness and weakness are somehow encapsulated in the passive magnificence of a martyr king. Andrew Marvell does not decide whether the regicide is good or bad, cataclysmic or providential, because the regicide is more than a political disruption or a historical turn. In fact it can be seen as the beginning of history, marking the entrance of England into a new era, both threatening and promising. In this respect, the regicide plays a role akin to that of original sin in Milton’s Paradise Lost : it is of course unfortunate but also allows England to stand on the threshold of a new world. |
| first_indexed | 2024-12-24T04:16:16Z |
| format | Article |
| id | doaj.art-555e7c0da7904325ab9227c069aa34a8 |
| institution | Directory Open Access Journal |
| issn | 1634-0450 |
| language | English |
| last_indexed | 2024-12-24T04:16:16Z |
| publishDate | 2011-09-01 |
| publisher | Institut du Monde Anglophone |
| record_format | Article |
| series | Etudes Epistémè |
| spelling | doaj.art-555e7c0da7904325ab9227c069aa34a82022-12-21T17:15:56ZengInstitut du Monde AnglophoneEtudes Epistémè1634-04502011-09-012010.4000/episteme.432Marvell et l’éloge ambigu du roi martyrGilles SambrasAndrew Marvell has offered one of the most famous poetical representations of Charles’execution in his “Horatian Ode Upon Cromwell’s Return from Ireland”. In this poem, the king submits to his fate with remarkable grace and courage (ll. 53-64). This passage, appearing as it does in an ode dedicated to Cromwell, has fuelled heated debates among specialists, concerning in particular the delicate issue of the poet’s political allegiance at the moment when the poem was composed. Yet, if we leave aside the specific issue of the author’s wavering political allegiances and choose instead to concentrate on the strategies of representations, not just of the regicide but of the monarchical system as a whole, we find that they remain surprisingly consistent in poems that have clearly different political stances. Beyond the question of the acceptation or rejection of the regicide, it is therefore important to consider the poet’s specific vision of the event and of a political system whose greatness and weakness are somehow encapsulated in the passive magnificence of a martyr king. Andrew Marvell does not decide whether the regicide is good or bad, cataclysmic or providential, because the regicide is more than a political disruption or a historical turn. In fact it can be seen as the beginning of history, marking the entrance of England into a new era, both threatening and promising. In this respect, the regicide plays a role akin to that of original sin in Milton’s Paradise Lost : it is of course unfortunate but also allows England to stand on the threshold of a new world.http://journals.openedition.org/episteme/432 |
| spellingShingle | Gilles Sambras Marvell et l’éloge ambigu du roi martyr Etudes Epistémè |
| title | Marvell et l’éloge ambigu du roi martyr |
| title_full | Marvell et l’éloge ambigu du roi martyr |
| title_fullStr | Marvell et l’éloge ambigu du roi martyr |
| title_full_unstemmed | Marvell et l’éloge ambigu du roi martyr |
| title_short | Marvell et l’éloge ambigu du roi martyr |
| title_sort | marvell et l eloge ambigu du roi martyr |
| url | http://journals.openedition.org/episteme/432 |
| work_keys_str_mv | AT gillessambras marvelletlelogeambiguduroimartyr |