Singing as Social Life: Three Perspectives on Kwv Txhiaj from Vietnam

Despite the recent influx of predominantly foreign-produced recordings of Hmong popular music, the vocal art form of kwv txhiaj still plays an important role in the daily lives of many Vietnamese-Hmong people. While previous studies of Vietnamese-Hmong music have tended to focus solely on the music...

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Main Author: Lonán Ó Briain
Format: Article
Language:English
Published: Hmong Studies Journal 2012-12-01
Series:Hmong Studies Journal
Subjects:
Online Access:https://www.hmongstudiesjournal.org/uploads/4/5/8/7/4587788/obriainhsj13.pdf
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author Lonán Ó Briain
author_facet Lonán Ó Briain
author_sort Lonán Ó Briain
collection DOAJ
description Despite the recent influx of predominantly foreign-produced recordings of Hmong popular music, the vocal art form of kwv txhiaj still plays an important role in the daily lives of many Vietnamese-Hmong people. While previous studies of Vietnamese-Hmong music have tended to focus solely on the musical sounds, this article attempts to illustrate how kwv txhiaj is made meaningful in live performance by contextualizing the musical examples with ethnographic data. Using Timothy Rice’s Time, Place, and Metaphor model (2003) as a theoretical basis, three contrasting case studies of singers and their songs are examined: an elderly woman sings a song she learned at the time of her marriage at the age of nine, a younger woman sings while planting rice in her fields, and another sings about the importance of education at the local government cultural center. Based on fifteen months of fieldwork in northern Vietnam, this study examines a representative sample of performances from the Sa Pa district of Lào Cai province in an attempt to uncover what makes kwv txhiaj a vital aspect of Vietnamese-Hmong culture.
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spelling doaj.art-55afefeb7af54b44bfc4d6bb125aa7a72023-01-09T18:41:59ZengHmong Studies JournalHmong Studies Journal1091-17742012-12-01131127Singing as Social Life: Three Perspectives on Kwv Txhiaj from VietnamLonán Ó BriainDespite the recent influx of predominantly foreign-produced recordings of Hmong popular music, the vocal art form of kwv txhiaj still plays an important role in the daily lives of many Vietnamese-Hmong people. While previous studies of Vietnamese-Hmong music have tended to focus solely on the musical sounds, this article attempts to illustrate how kwv txhiaj is made meaningful in live performance by contextualizing the musical examples with ethnographic data. Using Timothy Rice’s Time, Place, and Metaphor model (2003) as a theoretical basis, three contrasting case studies of singers and their songs are examined: an elderly woman sings a song she learned at the time of her marriage at the age of nine, a younger woman sings while planting rice in her fields, and another sings about the importance of education at the local government cultural center. Based on fifteen months of fieldwork in northern Vietnam, this study examines a representative sample of performances from the Sa Pa district of Lào Cai province in an attempt to uncover what makes kwv txhiaj a vital aspect of Vietnamese-Hmong culture. https://www.hmongstudiesjournal.org/uploads/4/5/8/7/4587788/obriainhsj13.pdfvietnamhmongmusicsung poetry
spellingShingle Lonán Ó Briain
Singing as Social Life: Three Perspectives on Kwv Txhiaj from Vietnam
Hmong Studies Journal
vietnam
hmong
music
sung poetry
title Singing as Social Life: Three Perspectives on Kwv Txhiaj from Vietnam
title_full Singing as Social Life: Three Perspectives on Kwv Txhiaj from Vietnam
title_fullStr Singing as Social Life: Three Perspectives on Kwv Txhiaj from Vietnam
title_full_unstemmed Singing as Social Life: Three Perspectives on Kwv Txhiaj from Vietnam
title_short Singing as Social Life: Three Perspectives on Kwv Txhiaj from Vietnam
title_sort singing as social life three perspectives on kwv txhiaj from vietnam
topic vietnam
hmong
music
sung poetry
url https://www.hmongstudiesjournal.org/uploads/4/5/8/7/4587788/obriainhsj13.pdf
work_keys_str_mv AT lonanobriain singingassociallifethreeperspectivesonkwvtxhiajfromvietnam