| Summary: | Lasting eighteen hours and featuring umpteen locations, Twin Peaks: The Return spreads out across time and space in a manner rarely seen in David Lynch’s work. In short, it sprawls. This article explores how sprawl might be a useful term through which to assess the series and how Lynch positions sprawl as a productive mode of thinking, despite the negative associations the term usually evokes. Via the theories of junkspace developed by Rem Koolhaas and junktime coined by Hito Steyerl, the article also attempts to analyze the extraordinary experience of watching The Return.
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