Emplacement and ruin: journeys of Marília Garcia´poem

Marília Garcia’s poetics foregrounds the writing process, associated with a journey that goes towards the outside world, towards other texts and works by other artists. The poem is said to be emplaced on both a rhetoric of the beginning that insists on becoming explicit and on frames that spatialize...

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Main Author: Ana Porrúa
Format: Article
Language:Spanish
Published: Universidad Nacional de Mar del Plata 2021-03-01
Series:Estudios de Teoría Literaria
Subjects:
Online Access:http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/4908
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author Ana Porrúa
author_facet Ana Porrúa
author_sort Ana Porrúa
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description Marília Garcia’s poetics foregrounds the writing process, associated with a journey that goes towards the outside world, towards other texts and works by other artists. The poem is said to be emplaced on both a rhetoric of the beginning that insists on becoming explicit and on frames that spatialize the process; in other words, on gestures that can be related to contemporary art forms such as performance and installation. Paths, maps and diagrams are part of this movement in which ruins, more than a topic, become a material journey that allows us to see (and read) images and phrases under the imprint of precariousness and the present time. The route can be thought of as a back and forth between the record and the emergence of the spectrum.This reading will focus on parque das ruínas (2018) and on a performance, então descemos para o centro da terra (2020).
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spelling doaj.art-55de4b9bb48840b0b5a944407fbbcac92022-12-21T22:56:12ZspaUniversidad Nacional de Mar del PlataEstudios de Teoría Literaria2313-96762021-03-01102130433788Emplacement and ruin: journeys of Marília Garcia´poemAna Porrúa0Centro de Letras Hispanoamericanas, Consejo Nacional de Investigaciones Científicas y Técnicas, Universidad Nacional de Mar del PlataMarília Garcia’s poetics foregrounds the writing process, associated with a journey that goes towards the outside world, towards other texts and works by other artists. The poem is said to be emplaced on both a rhetoric of the beginning that insists on becoming explicit and on frames that spatialize the process; in other words, on gestures that can be related to contemporary art forms such as performance and installation. Paths, maps and diagrams are part of this movement in which ruins, more than a topic, become a material journey that allows us to see (and read) images and phrases under the imprint of precariousness and the present time. The route can be thought of as a back and forth between the record and the emergence of the spectrum.This reading will focus on parque das ruínas (2018) and on a performance, então descemos para o centro da terra (2020).http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/4908poesía brasileñamarília garciamaterialidadprocesoperformanceinstalación
spellingShingle Ana Porrúa
Emplacement and ruin: journeys of Marília Garcia´poem
Estudios de Teoría Literaria
poesía brasileña
marília garcia
materialidad
proceso
performance
instalación
title Emplacement and ruin: journeys of Marília Garcia´poem
title_full Emplacement and ruin: journeys of Marília Garcia´poem
title_fullStr Emplacement and ruin: journeys of Marília Garcia´poem
title_full_unstemmed Emplacement and ruin: journeys of Marília Garcia´poem
title_short Emplacement and ruin: journeys of Marília Garcia´poem
title_sort emplacement and ruin journeys of marilia garcia´poem
topic poesía brasileña
marília garcia
materialidad
proceso
performance
instalación
url http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/4908
work_keys_str_mv AT anaporrua emplacementandruinjourneysofmariliagarciapoem