Fatins Diary dalam Panggung Kultur Pop-Religius

The development of era demands muslimahs to take roles without leaving their identities. When they became career women, they were asked to work outside their houses. How if the women want to keep their faith and obey the Islamic rules by keeping their aurat with jilbab (veil)? Will jilbab disturb th...

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Main Author: Claudia Tevy
Format: Article
Language:English
Published: Faculty of Ushuluddin and Da'wah UIN Raden Mas Said 2016-06-01
Series:Al-Balagh: Jurnal Dakwah dan Komunikasi
Subjects:
Online Access:http://ejournal.iainsurakarta.ac.id/index.php/al-balagh/article/view/68/29
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author Claudia Tevy
author_facet Claudia Tevy
author_sort Claudia Tevy
collection DOAJ
description The development of era demands muslimahs to take roles without leaving their identities. When they became career women, they were asked to work outside their houses. How if the women want to keep their faith and obey the Islamic rules by keeping their aurat with jilbab (veil)? Will jilbab disturb their activities when working? How if their working environments do not accept them? The paper discusses the relationship between the activities of women with hijab and their adaptation by analyzing Fatins Hijab Diary. With Scheiders analysis, it can be concluded that Fatin Shidqia Lubis, as an entertainer and public figure has conducted the adaptation process toward her working environment in order to be exist in it without leaving her identity as a muslimah who holds the hijabs principals. The process that has been successfully passed by Fatin shows that jilbab is not an obstruction for women who want to work and be famous.
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spelling doaj.art-56079073b16b47e9a25262870ae6ae202022-12-22T02:43:50ZengFaculty of Ushuluddin and Da'wah UIN Raden Mas SaidAl-Balagh: Jurnal Dakwah dan Komunikasi2527-57042527-56822016-06-011110111410.22515/balagh.v1i1.68Fatins Diary dalam Panggung Kultur Pop-ReligiusClaudia Tevy0Muslimah Mahasiswa Pecinta IslamThe development of era demands muslimahs to take roles without leaving their identities. When they became career women, they were asked to work outside their houses. How if the women want to keep their faith and obey the Islamic rules by keeping their aurat with jilbab (veil)? Will jilbab disturb their activities when working? How if their working environments do not accept them? The paper discusses the relationship between the activities of women with hijab and their adaptation by analyzing Fatins Hijab Diary. With Scheiders analysis, it can be concluded that Fatin Shidqia Lubis, as an entertainer and public figure has conducted the adaptation process toward her working environment in order to be exist in it without leaving her identity as a muslimah who holds the hijabs principals. The process that has been successfully passed by Fatin shows that jilbab is not an obstruction for women who want to work and be famous.http://ejournal.iainsurakarta.ac.id/index.php/al-balagh/article/view/68/29JilbabPop CultureReligiosity of Adolescent.
spellingShingle Claudia Tevy
Fatins Diary dalam Panggung Kultur Pop-Religius
Al-Balagh: Jurnal Dakwah dan Komunikasi
Jilbab
Pop Culture
Religiosity of Adolescent.
title Fatins Diary dalam Panggung Kultur Pop-Religius
title_full Fatins Diary dalam Panggung Kultur Pop-Religius
title_fullStr Fatins Diary dalam Panggung Kultur Pop-Religius
title_full_unstemmed Fatins Diary dalam Panggung Kultur Pop-Religius
title_short Fatins Diary dalam Panggung Kultur Pop-Religius
title_sort fatins diary dalam panggung kultur pop religius
topic Jilbab
Pop Culture
Religiosity of Adolescent.
url http://ejournal.iainsurakarta.ac.id/index.php/al-balagh/article/view/68/29
work_keys_str_mv AT claudiatevy fatinsdiarydalampanggungkulturpopreligius