Romantická ironie jako protihráčka entuziasmu u Borgese a Cortázara
The study offers an interpretation of Borges and Cortázar in the light of romantic irony, in particular Friedriech Schlegel’s concept from the Athenaeum fragment 37 where irony is defined as an art of controlled enthusiasm. This is something that can be found in Borges, at the level of language, in...
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| Format: | Article |
| Language: | ces |
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Univerzita Karlova, Filozofická Fakulta
2022-05-01
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| Series: | Svět Literatury |
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| Online Access: | https://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2022/05/Vit_Kazmar_59-69.pdf |
| Summary: | The study offers an interpretation of Borges and Cortázar in the light of romantic irony, in particular Friedriech Schlegel’s concept from the Athenaeum fragment 37 where irony is defined as an art of controlled enthusiasm. This is something that can be found in Borges, at the level of language, in the figure of litotes, in his penchant for brevity and a relative disdain for novels. In Cortázar, the taming of enthusiasm manifests itself more openly, as a contrast of two alternating modes of speech. Thus, Borges and Cortázar embody two answers to the question of enthusiasm. |
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| ISSN: | 0862-8440 2336-6729 |