Imperfect tense: an ethnography of the archive

In this article, ethnographic archives and their doubles, personal archives, are analyzed as cultural constructions whose comprehension is essential to understanding the ways in which professional narratives are produced and how their invention results from an intense dialogue involving imagination...

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Main Authors: Olívia Maria Gomes da Cunha, David Allan Rodgers
Format: Article
Language:English
Published: Universidade Federal do Rio de Janeiro 2006-01-01
Series:Mana
Subjects:
Online Access:http://socialsciences.scielo.org/scielo.php?script=sci_arttext&pid=S0104-93132006000100001&lng=en&tlng=en
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author Olívia Maria Gomes da Cunha
David Allan Rodgers
author_facet Olívia Maria Gomes da Cunha
David Allan Rodgers
author_sort Olívia Maria Gomes da Cunha
collection DOAJ
description In this article, ethnographic archives and their doubles, personal archives, are analyzed as cultural constructions whose comprehension is essential to understanding the ways in which professional narratives are produced and how their invention results from an intense dialogue involving imagination and intellectual authority. Taking the Ruth Landes Papers held by the National Anthropological Archives (Smithsonian Institution) as its object of analysis, the text examines the various logics informing the institution of thematic limits to the archives, their criteria for legitimacy and inclusion, the transformation of their author's work instruments into 'artefacts', 'documents' and 'sources'; their conceptions of 'documentary value,' their internal economy and their uses in the continual (if shifting) reification of the authority of their 'authors' as key figures within anthropology's different histories.
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spelling doaj.art-569a0278a07e4cf9ae2d88e22a8d9cef2022-12-21T19:29:42ZengUniversidade Federal do Rio de JaneiroMana0104-93132006-01-011seS0104-93132006000100001Imperfect tense: an ethnography of the archiveOlívia Maria Gomes da Cunha0David Allan RodgersUFRJIn this article, ethnographic archives and their doubles, personal archives, are analyzed as cultural constructions whose comprehension is essential to understanding the ways in which professional narratives are produced and how their invention results from an intense dialogue involving imagination and intellectual authority. Taking the Ruth Landes Papers held by the National Anthropological Archives (Smithsonian Institution) as its object of analysis, the text examines the various logics informing the institution of thematic limits to the archives, their criteria for legitimacy and inclusion, the transformation of their author's work instruments into 'artefacts', 'documents' and 'sources'; their conceptions of 'documentary value,' their internal economy and their uses in the continual (if shifting) reification of the authority of their 'authors' as key figures within anthropology's different histories.http://socialsciences.scielo.org/scielo.php?script=sci_arttext&pid=S0104-93132006000100001&lng=en&tlng=enEtnografiaHistóriaArquivosMemóriaRuth Landes
spellingShingle Olívia Maria Gomes da Cunha
David Allan Rodgers
Imperfect tense: an ethnography of the archive
Mana
Etnografia
História
Arquivos
Memória
Ruth Landes
title Imperfect tense: an ethnography of the archive
title_full Imperfect tense: an ethnography of the archive
title_fullStr Imperfect tense: an ethnography of the archive
title_full_unstemmed Imperfect tense: an ethnography of the archive
title_short Imperfect tense: an ethnography of the archive
title_sort imperfect tense an ethnography of the archive
topic Etnografia
História
Arquivos
Memória
Ruth Landes
url http://socialsciences.scielo.org/scielo.php?script=sci_arttext&pid=S0104-93132006000100001&lng=en&tlng=en
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