L’œuvre d’art « augmentée » et ses formes de vie
In this article, we examine the "augmented" work of art in the light of the filiations and genealogies of forms that underlie its forms of life. First, we study the notion of form, essentially from Gal’s Deep Formalism, Cassirer’s theory of symbolic forms, reviewed by Lassègue, and genetic...
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| Format: | Article |
| Language: | English |
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Université de liège
2023-11-01
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| Series: | Signata |
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| Online Access: | http://journals.openedition.org/signata/4711 |
| _version_ | 1797402598756581376 |
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| author | Marion Colas-Blaise |
| author_facet | Marion Colas-Blaise |
| author_sort | Marion Colas-Blaise |
| collection | DOAJ |
| description | In this article, we examine the "augmented" work of art in the light of the filiations and genealogies of forms that underlie its forms of life. First, we study the notion of form, essentially from Gal’s Deep Formalism, Cassirer’s theory of symbolic forms, reviewed by Lassègue, and genetic constructivism based on Gestalttheorie (Visetti). We define the form as a field of convergent and divergent forces (Bordron) underpinning a double semiosis, plastic and figurative or iconic (Fontanille). Next, we aim to account for the modalities of filiation and genealogy (successivity, “tourbillon”, intrinsic variability), before showing how the analysis of Rosso Fiorentino’s painting Bacchus, Venus and Cupid (1531-1532) can benefit from two machine-guided approaches (Google keywords and SimArt-Datavalor query). The aim is to identify an interpretative approach and evaluate the conditions for success, from the point of view of the observer equipped with effective selection criteria. |
| first_indexed | 2024-03-09T02:27:28Z |
| format | Article |
| id | doaj.art-56f9a638e20e48b9af1ca8bfdfc5a011 |
| institution | Directory Open Access Journal |
| issn | 2032-9806 2565-7097 |
| language | English |
| last_indexed | 2024-03-09T02:27:28Z |
| publishDate | 2023-11-01 |
| publisher | Université de liège |
| record_format | Article |
| series | Signata |
| spelling | doaj.art-56f9a638e20e48b9af1ca8bfdfc5a0112023-12-06T15:52:24ZengUniversité de liègeSignata2032-98062565-70972023-11-011410.4000/signata.4711L’œuvre d’art « augmentée » et ses formes de vieMarion Colas-BlaiseIn this article, we examine the "augmented" work of art in the light of the filiations and genealogies of forms that underlie its forms of life. First, we study the notion of form, essentially from Gal’s Deep Formalism, Cassirer’s theory of symbolic forms, reviewed by Lassègue, and genetic constructivism based on Gestalttheorie (Visetti). We define the form as a field of convergent and divergent forces (Bordron) underpinning a double semiosis, plastic and figurative or iconic (Fontanille). Next, we aim to account for the modalities of filiation and genealogy (successivity, “tourbillon”, intrinsic variability), before showing how the analysis of Rosso Fiorentino’s painting Bacchus, Venus and Cupid (1531-1532) can benefit from two machine-guided approaches (Google keywords and SimArt-Datavalor query). The aim is to identify an interpretative approach and evaluate the conditions for success, from the point of view of the observer equipped with effective selection criteria.http://journals.openedition.org/signata/4711"augmented" workformlife formcomputerinterpretative approach |
| spellingShingle | Marion Colas-Blaise L’œuvre d’art « augmentée » et ses formes de vie Signata "augmented" work form life form computer interpretative approach |
| title | L’œuvre d’art « augmentée » et ses formes de vie |
| title_full | L’œuvre d’art « augmentée » et ses formes de vie |
| title_fullStr | L’œuvre d’art « augmentée » et ses formes de vie |
| title_full_unstemmed | L’œuvre d’art « augmentée » et ses formes de vie |
| title_short | L’œuvre d’art « augmentée » et ses formes de vie |
| title_sort | l oeuvre d art augmentee et ses formes de vie |
| topic | "augmented" work form life form computer interpretative approach |
| url | http://journals.openedition.org/signata/4711 |
| work_keys_str_mv | AT marioncolasblaise lœuvredartaugmenteeetsesformesdevie |