Was there a Sword? On Aristophanes’ Thesmophoriazusae (v. 134–140)

In the prologue of Aristophanes’ Thesmophoriazusae (134–140) Euripides’ Inlaw after seeing the poet Agathon expresses his bewilderment at the mixture of gender signals emitted by Agathon’s clothes and the objects he is surrounded with. Inlaw enumerates several couples of objects incompatible because...

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Main Author: Sergey A. Stepantsov
Format: Article
Language:English
Published: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences 2022-09-01
Series:Studia Litterarum
Subjects:
Online Access:http://studlit.ru/images/2022-7-3/04_Stepantsov_66-83.pdf
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author Sergey A. Stepantsov
author_facet Sergey A. Stepantsov
author_sort Sergey A. Stepantsov
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description In the prologue of Aristophanes’ Thesmophoriazusae (134–140) Euripides’ Inlaw after seeing the poet Agathon expresses his bewilderment at the mixture of gender signals emitted by Agathon’s clothes and the objects he is surrounded with. Inlaw enumerates several couples of objects incompatible because of their relatedness to one or another gender: barbitos and saffron gown, lyre and headband, lekythos (an attribute of athletics) and breast band, sword and mirror. In this paper I reconsider commentators’ opinions on the question whether there was indeed a sword among the props visible to the public or the sword was mentioned by Inlaw because it was present in the passage from Aeschylus’ Edonians explicitly parodied in the questions asked by Inlaw. A. Sommestein’s speculation that Agathon needs a sword to get into a male role is rejected as contradicting Agathon’s words in v. 154–155. I also call in question G. Kaibel’s surmise (supported by C. Prato, C. Austin and D. Olson) that the sword was present in the parodied scene of the Edonians because Dionysus was represented in armis there, as a conqueror of new lands. I consider that there are no firm reasons to think that there was a sword among the props of the comedy or that it was mentioned in the parodied tragedy as a thing present in the scene in which Lycurgus interrogated Dionysus. It is more probable that sword (as well as lekythos) is mentioned by Inlaw just as a most typical male thing opposed to typically female mirror. I also suppose that v. 140 “What can a sword and a mirror have in common?” is rather a recast of the anonymous comic aphorism “What can a blind man and a mirror have in common?” (apud Stob. 4.30.6a) than vice versa (whoever the author of this aphorism might be).
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spelling doaj.art-56fb8ef6f4c64d2e9538bcac899b5d652022-12-22T02:00:59ZengA.M. Gorky Institute of World Literature of the Russian Academy of SciencesStudia Litterarum2500-42472541-85642022-09-0173668310.22455/2500-4247-2022-7-3-66-83Was there a Sword? On Aristophanes’ Thesmophoriazusae (v. 134–140)Sergey A. Stepantsov0https://orcid.org/0000-0003-2740-004XA.M. Gorky Institute of World Literature of the Russian Academy of Sciences, Moscow, RussiaIn the prologue of Aristophanes’ Thesmophoriazusae (134–140) Euripides’ Inlaw after seeing the poet Agathon expresses his bewilderment at the mixture of gender signals emitted by Agathon’s clothes and the objects he is surrounded with. Inlaw enumerates several couples of objects incompatible because of their relatedness to one or another gender: barbitos and saffron gown, lyre and headband, lekythos (an attribute of athletics) and breast band, sword and mirror. In this paper I reconsider commentators’ opinions on the question whether there was indeed a sword among the props visible to the public or the sword was mentioned by Inlaw because it was present in the passage from Aeschylus’ Edonians explicitly parodied in the questions asked by Inlaw. A. Sommestein’s speculation that Agathon needs a sword to get into a male role is rejected as contradicting Agathon’s words in v. 154–155. I also call in question G. Kaibel’s surmise (supported by C. Prato, C. Austin and D. Olson) that the sword was present in the parodied scene of the Edonians because Dionysus was represented in armis there, as a conqueror of new lands. I consider that there are no firm reasons to think that there was a sword among the props of the comedy or that it was mentioned in the parodied tragedy as a thing present in the scene in which Lycurgus interrogated Dionysus. It is more probable that sword (as well as lekythos) is mentioned by Inlaw just as a most typical male thing opposed to typically female mirror. I also suppose that v. 140 “What can a sword and a mirror have in common?” is rather a recast of the anonymous comic aphorism “What can a blind man and a mirror have in common?” (apud Stob. 4.30.6a) than vice versa (whoever the author of this aphorism might be).http://studlit.ru/images/2022-7-3/04_Stepantsov_66-83.pdfaristophanesthemophoriazusaeagathon the poetaeschylus’ edoniansaeschylus’ lycurgiaparatragedyparodypropsgender attributesfragments.
spellingShingle Sergey A. Stepantsov
Was there a Sword? On Aristophanes’ Thesmophoriazusae (v. 134–140)
Studia Litterarum
aristophanes
themophoriazusae
agathon the poet
aeschylus’ edonians
aeschylus’ lycurgia
paratragedy
parody
props
gender attributes
fragments.
title Was there a Sword? On Aristophanes’ Thesmophoriazusae (v. 134–140)
title_full Was there a Sword? On Aristophanes’ Thesmophoriazusae (v. 134–140)
title_fullStr Was there a Sword? On Aristophanes’ Thesmophoriazusae (v. 134–140)
title_full_unstemmed Was there a Sword? On Aristophanes’ Thesmophoriazusae (v. 134–140)
title_short Was there a Sword? On Aristophanes’ Thesmophoriazusae (v. 134–140)
title_sort was there a sword on aristophanes thesmophoriazusae v 134 140
topic aristophanes
themophoriazusae
agathon the poet
aeschylus’ edonians
aeschylus’ lycurgia
paratragedy
parody
props
gender attributes
fragments.
url http://studlit.ru/images/2022-7-3/04_Stepantsov_66-83.pdf
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