Images de la statuaire archaïque dans les Aitia de Callimaque

Several fragmentary elegies of Callimachus’ Aitia were meant to explain the origins of a given cult or of a strange iconography whose meaning had been obscured by the passing of time. The Aitia are thus a very important source on archaic sculpture and on its reception in Hellenistic times. This pape...

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Main Author: Évelyne Prioux
Format: Article
Language:English
Published: ENS Éditions 2011-07-01
Series:Aitia
Subjects:
Online Access:http://journals.openedition.org/aitia/74
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author Évelyne Prioux
author_facet Évelyne Prioux
author_sort Évelyne Prioux
collection DOAJ
description Several fragmentary elegies of Callimachus’ Aitia were meant to explain the origins of a given cult or of a strange iconography whose meaning had been obscured by the passing of time. The Aitia are thus a very important source on archaic sculpture and on its reception in Hellenistic times. This paper attempts to explain how Callimachus selected the statues that he describes : his ecphraseis were apparently meant to illustrate his political and aesthetic views. For instance, he proposes an allegorical reading of the Delian Apollo by Tectaios and Angelion and of one of the cult statues of the Samian Hera ; the details that Callimachus highlights in both descriptions encourage the reader to compare these archaic representations of the gods with the new king and the new queen of Alexandria. The poet thus leads his readers to believe that the political and cultural innovations of the Ptolemaic dynasty were in fact based on well-known models provided by Greek cultural and religious artifacts of the Archaic period. In order to fulfill this tour de force, Callimachus applies to the reading of statues and of visual artifacts a set of techniques that he perhaps borrowed from the allegorical readings of the Homeric poems.
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spelling doaj.art-57818102c48347dab584a55779ced5732022-12-22T00:56:46ZengENS ÉditionsAitia1775-42752011-07-01110.4000/aitia.74Images de la statuaire archaïque dans les Aitia de CallimaqueÉvelyne PriouxSeveral fragmentary elegies of Callimachus’ Aitia were meant to explain the origins of a given cult or of a strange iconography whose meaning had been obscured by the passing of time. The Aitia are thus a very important source on archaic sculpture and on its reception in Hellenistic times. This paper attempts to explain how Callimachus selected the statues that he describes : his ecphraseis were apparently meant to illustrate his political and aesthetic views. For instance, he proposes an allegorical reading of the Delian Apollo by Tectaios and Angelion and of one of the cult statues of the Samian Hera ; the details that Callimachus highlights in both descriptions encourage the reader to compare these archaic representations of the gods with the new king and the new queen of Alexandria. The poet thus leads his readers to believe that the political and cultural innovations of the Ptolemaic dynasty were in fact based on well-known models provided by Greek cultural and religious artifacts of the Archaic period. In order to fulfill this tour de force, Callimachus applies to the reading of statues and of visual artifacts a set of techniques that he perhaps borrowed from the allegorical readings of the Homeric poems.http://journals.openedition.org/aitia/74allegorical readingallegoryarchaic sculptureCallimachusDelian ApolloSamian Hera
spellingShingle Évelyne Prioux
Images de la statuaire archaïque dans les Aitia de Callimaque
Aitia
allegorical reading
allegory
archaic sculpture
Callimachus
Delian Apollo
Samian Hera
title Images de la statuaire archaïque dans les Aitia de Callimaque
title_full Images de la statuaire archaïque dans les Aitia de Callimaque
title_fullStr Images de la statuaire archaïque dans les Aitia de Callimaque
title_full_unstemmed Images de la statuaire archaïque dans les Aitia de Callimaque
title_short Images de la statuaire archaïque dans les Aitia de Callimaque
title_sort images de la statuaire archaique dans les aitia de callimaque
topic allegorical reading
allegory
archaic sculpture
Callimachus
Delian Apollo
Samian Hera
url http://journals.openedition.org/aitia/74
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