Variazioni Simenon. Appunti su tre adattamenti cinematografici
This article examines three cinematic adaptations – Julien Duvivier’s “Panique” (1946), Ladislao Vajda’s “Barrio / Viela, rua sem sol” (1947), and Patrice Leconte’s “Monsieur Hire” (1933), all inspired by Georges Simenon’s “Les fiançailles de Monsieur Hire” (1933). They are loose adaptations, which...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Nicola Catelli - Corrado Confalonieri
2021-12-01
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| Series: | Parole Rubate |
| Subjects: | |
| Online Access: | http://www.parolerubate.unipr.it/fascicolo24_pdf/F24_6_carando_simenon.pdf |
| _version_ | 1797720828515713024 |
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| author | Valerio Carando Rosa Gutiérrez Herranz |
| author_facet | Valerio Carando Rosa Gutiérrez Herranz |
| author_sort | Valerio Carando |
| collection | DOAJ |
| description | This article examines three cinematic adaptations – Julien Duvivier’s “Panique” (1946), Ladislao Vajda’s “Barrio / Viela, rua sem sol” (1947), and Patrice Leconte’s “Monsieur Hire” (1933), all inspired by Georges Simenon’s “Les fiançailles de Monsieur Hire” (1933). They are loose adaptations, which search for – rather than discarding – the possibility of a variation, a deviation, an enrichment in their relationship with the source. |
| first_indexed | 2024-03-12T09:25:08Z |
| format | Article |
| id | doaj.art-57887447e161455aa5b6aabb1286a56e |
| institution | Directory Open Access Journal |
| issn | 2039-0114 |
| language | English |
| last_indexed | 2024-03-12T09:25:08Z |
| publishDate | 2021-12-01 |
| publisher | Nicola Catelli - Corrado Confalonieri |
| record_format | Article |
| series | Parole Rubate |
| spelling | doaj.art-57887447e161455aa5b6aabb1286a56e2023-09-02T14:14:56ZengNicola Catelli - Corrado ConfalonieriParole Rubate2039-01142021-12-0112247588Variazioni Simenon. Appunti su tre adattamenti cinematograficiValerio Carando0Rosa Gutiérrez Herranz1Università di PisaUniversitat Autònoma de BarcelonaThis article examines three cinematic adaptations – Julien Duvivier’s “Panique” (1946), Ladislao Vajda’s “Barrio / Viela, rua sem sol” (1947), and Patrice Leconte’s “Monsieur Hire” (1933), all inspired by Georges Simenon’s “Les fiançailles de Monsieur Hire” (1933). They are loose adaptations, which search for – rather than discarding – the possibility of a variation, a deviation, an enrichment in their relationship with the source.http://www.parolerubate.unipr.it/fascicolo24_pdf/F24_6_carando_simenon.pdffilmremake |
| spellingShingle | Valerio Carando Rosa Gutiérrez Herranz Variazioni Simenon. Appunti su tre adattamenti cinematografici Parole Rubate film remake |
| title | Variazioni Simenon. Appunti su tre adattamenti cinematografici |
| title_full | Variazioni Simenon. Appunti su tre adattamenti cinematografici |
| title_fullStr | Variazioni Simenon. Appunti su tre adattamenti cinematografici |
| title_full_unstemmed | Variazioni Simenon. Appunti su tre adattamenti cinematografici |
| title_short | Variazioni Simenon. Appunti su tre adattamenti cinematografici |
| title_sort | variazioni simenon appunti su tre adattamenti cinematografici |
| topic | film remake |
| url | http://www.parolerubate.unipr.it/fascicolo24_pdf/F24_6_carando_simenon.pdf |
| work_keys_str_mv | AT valeriocarando variazionisimenonappuntisutreadattamenticinematografici AT rosagutierrezherranz variazionisimenonappuntisutreadattamenticinematografici |