To prevent forgetfulness: from photography to the death theater of Tadeusz Kantor <br>Para salvar do esquecimento: da fotografia ao teatro da morte de Tadeusz Kantor
Photography is credited as a means to capture moments and to caress memory: in its essence, it is a fragment of reality embalmed in time. On the other hand, photographic reality seen as reality of the death, caresses life by remembering it of its losses. In this article, photography is thought of –...
| Main Authors: | , |
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| Format: | Article |
| Language: | Spanish |
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Universidade Estadual de Londrina
2006-12-01
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| Series: | Discursos Fotográficos |
| Subjects: | |
| Online Access: | http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1487 |
| Summary: | Photography is credited as a means to capture moments and to caress memory: in its essence, it is a fragment of reality embalmed in time. On the other hand, photographic reality seen as reality of the death, caresses life by remembering it of its losses. In this article, photography is thought of – in its time-space clips – as an object of rupture with daily reality. The aim is also to present the “death theater” of Polish stage director Tadeusz Kantor and reflect on the nature of this theater and photographic language. <p><p>A fotografia é acreditada como meio de registrar momentos para acariciar a memória; é em sua essência um fragmento da realidade embalsamado no tempo. No entanto a realidade fotográfica, entendida como realidade da morte, acaricia a vida lembrando-a de suas perdas. No decorrer desse artigo pretende-se pensar a fotografia – por seu corte espaço-temporal – como um objeto de ruptura com a realidade cotidiana. Propõe-se também a apresentar o “teatro da morte” do encenador polonês Tadeusz Kantor refletindo sobre a natureza desse teatro e a linguagem fotográfica. |
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| ISSN: | 1808-5652 1984-7939 |