Harmony as a Gravitational Functional and Aesthetic Center of the System of Poetic Text Characteristics

The study was carried out as part of the poetological direction of modern linguistics of text and textual science. The harmony in the status of a new feature of the text (both artistic and poetic) is considered. Poetic harmony is understood as an aesthetic, functional-denotative, semantic, notional,...

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Main Author: Y. V. Kazarin
Format: Article
Language:Russian
Published: Tsentr nauchnykh i obrazovatelnykh proektov 2019-12-01
Series:Научный диалог
Subjects:
Online Access:https://www.nauka-dialog.ru/jour/article/view/1399
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author Y. V. Kazarin
author_facet Y. V. Kazarin
author_sort Y. V. Kazarin
collection DOAJ
description The study was carried out as part of the poetological direction of modern linguistics of text and textual science. The harmony in the status of a new feature of the text (both artistic and poetic) is considered. Poetic harmony is understood as an aesthetic, functional-denotative, semantic, notional, formal-substantive and systemic-structural center of a poetic text. The regular conceptual relationships of poetic harmony with other textual features are characterized. Such features of the text as systematicity, structurality, functionality and the rest (categorical, differential and additional) are interpreted by the author of the article as the result of the action of the basic properties of harmony: firm order, proportionality, harmony, perfection, beauty, truth, goodness, desire for the Absolute, etc. It is asserted that when correlating the category of “poetic harmony” with well-known textual features, conceptual oppositions of an expanded type are built up, when various aspects of these concepts and corresponding notations appear in the relations of intersection. In addition to the formal-substantive and functional paradigmatic aspects, ethical-aesthetic, perfectionist, energetic and other aspects of these phenomena are also taken into account. It is proved that the general feature of the poetic text “self-organization” enters with the concept of “harmony” into the relationship of identity with elements of partivism. It is concluded that poetic harmony in the system of signs of the poetic text turns out to be the organizing, systematizing “gravitational center”.
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spelling doaj.art-580308b355f249df92def7d65da314a52024-03-25T14:31:00ZrusTsentr nauchnykh i obrazovatelnykh proektovНаучный диалог2225-756X2227-12952019-12-01012435810.24224/2227-1295-2019-12-43-581395Harmony as a Gravitational Functional and Aesthetic Center of the System of Poetic Text CharacteristicsY. V. Kazarin0Federal State Autonomous Educational Institution of Higher Education “Ural Federal University named after the First President of Russia B. N. Yeltsin”The study was carried out as part of the poetological direction of modern linguistics of text and textual science. The harmony in the status of a new feature of the text (both artistic and poetic) is considered. Poetic harmony is understood as an aesthetic, functional-denotative, semantic, notional, formal-substantive and systemic-structural center of a poetic text. The regular conceptual relationships of poetic harmony with other textual features are characterized. Such features of the text as systematicity, structurality, functionality and the rest (categorical, differential and additional) are interpreted by the author of the article as the result of the action of the basic properties of harmony: firm order, proportionality, harmony, perfection, beauty, truth, goodness, desire for the Absolute, etc. It is asserted that when correlating the category of “poetic harmony” with well-known textual features, conceptual oppositions of an expanded type are built up, when various aspects of these concepts and corresponding notations appear in the relations of intersection. In addition to the formal-substantive and functional paradigmatic aspects, ethical-aesthetic, perfectionist, energetic and other aspects of these phenomena are also taken into account. It is proved that the general feature of the poetic text “self-organization” enters with the concept of “harmony” into the relationship of identity with elements of partivism. It is concluded that poetic harmony in the system of signs of the poetic text turns out to be the organizing, systematizing “gravitational center”.https://www.nauka-dialog.ru/jour/article/view/1399poetic harmonycharacteristics of a poetic textopposition of identityprivative oppositionantonymyintersectionhierarchyintegrativityfunctional and aesthetic gravity centerabsoluterussian language
spellingShingle Y. V. Kazarin
Harmony as a Gravitational Functional and Aesthetic Center of the System of Poetic Text Characteristics
Научный диалог
poetic harmony
characteristics of a poetic text
opposition of identity
privative opposition
antonymy
intersection
hierarchy
integrativity
functional and aesthetic gravity center
absolute
russian language
title Harmony as a Gravitational Functional and Aesthetic Center of the System of Poetic Text Characteristics
title_full Harmony as a Gravitational Functional and Aesthetic Center of the System of Poetic Text Characteristics
title_fullStr Harmony as a Gravitational Functional and Aesthetic Center of the System of Poetic Text Characteristics
title_full_unstemmed Harmony as a Gravitational Functional and Aesthetic Center of the System of Poetic Text Characteristics
title_short Harmony as a Gravitational Functional and Aesthetic Center of the System of Poetic Text Characteristics
title_sort harmony as a gravitational functional and aesthetic center of the system of poetic text characteristics
topic poetic harmony
characteristics of a poetic text
opposition of identity
privative opposition
antonymy
intersection
hierarchy
integrativity
functional and aesthetic gravity center
absolute
russian language
url https://www.nauka-dialog.ru/jour/article/view/1399
work_keys_str_mv AT yvkazarin harmonyasagravitationalfunctionalandaestheticcenterofthesystemofpoetictextcharacteristics