Untold Stories
Since the mid 1990s the European Union (EU) and its member states, most prominently France and Germany, have encouraged cinematic co-productions between Europe and the Middle East. A large number of films were completed within various EU support and cooperation programmes, ranging from special inter...
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Format: | Article |
Language: | English |
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University of Westminster Press
2017-06-01
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Series: | Westminster Papers in Communication and Culture |
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Online Access: | https://www.westminsterpapers.org/article/id/147/ |
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author | Tarik Sabry |
author_facet | Tarik Sabry |
author_sort | Tarik Sabry |
collection | DOAJ |
description | Since the mid 1990s the European Union (EU) and its member states, most prominently France and Germany, have encouraged cinematic co-productions between Europe and the Middle East. A large number of films were completed within various EU support and cooperation programmes, ranging from special interest documentaries to Oscar-nominated movies like Paradise Now (2005) or Ajami (2010). As Arab Middle Eastern countries do not have a cinemafunding system of their own, the film-makers depend on cooperation with Europe. While the European partners pride themselves on the success of supported films, the Middle Eastern side is increasingly denouncing a ‘new colonialism’. The displeasure derives from the assertion that the subjects of supported films are limited to Western stereotypes of the Middle East, as well as the fact that a core condition of nearly all financial support is the employment of European crews. Within this scope, how can stories be told, and which ones remain untold? |
first_indexed | 2024-12-17T13:25:39Z |
format | Article |
id | doaj.art-583ad6e00c7d4b42b2d93e7d6700d9a6 |
institution | Directory Open Access Journal |
issn | 1744-6716 |
language | English |
last_indexed | 2024-12-17T13:25:39Z |
publishDate | 2017-06-01 |
publisher | University of Westminster Press |
record_format | Article |
series | Westminster Papers in Communication and Culture |
spelling | doaj.art-583ad6e00c7d4b42b2d93e7d6700d9a62022-12-21T21:46:44ZengUniversity of Westminster PressWestminster Papers in Communication and Culture1744-67162017-06-017210.16997/wpcc.142Untold StoriesTarik Sabry0Communication and Media Research Institute University of WestminsterSince the mid 1990s the European Union (EU) and its member states, most prominently France and Germany, have encouraged cinematic co-productions between Europe and the Middle East. A large number of films were completed within various EU support and cooperation programmes, ranging from special interest documentaries to Oscar-nominated movies like Paradise Now (2005) or Ajami (2010). As Arab Middle Eastern countries do not have a cinemafunding system of their own, the film-makers depend on cooperation with Europe. While the European partners pride themselves on the success of supported films, the Middle Eastern side is increasingly denouncing a ‘new colonialism’. The displeasure derives from the assertion that the subjects of supported films are limited to Western stereotypes of the Middle East, as well as the fact that a core condition of nearly all financial support is the employment of European crews. Within this scope, how can stories be told, and which ones remain untold?https://www.westminsterpapers.org/article/id/147/new colonialismmisunderstandinginternational cooperationfilm-fundingco-productionArab cinema |
spellingShingle | Tarik Sabry Untold Stories Westminster Papers in Communication and Culture new colonialism misunderstanding international cooperation film-funding co-production Arab cinema |
title | Untold Stories |
title_full | Untold Stories |
title_fullStr | Untold Stories |
title_full_unstemmed | Untold Stories |
title_short | Untold Stories |
title_sort | untold stories |
topic | new colonialism misunderstanding international cooperation film-funding co-production Arab cinema |
url | https://www.westminsterpapers.org/article/id/147/ |
work_keys_str_mv | AT tariksabry untoldstories |