Untold Stories

Since the mid 1990s the European Union (EU) and its member states, most prominently France and Germany, have encouraged cinematic co-productions between Europe and the Middle East. A large number of films were completed within various EU support and cooperation programmes, ranging from special inter...

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Bibliographic Details
Main Author: Tarik Sabry
Format: Article
Language:English
Published: University of Westminster Press 2017-06-01
Series:Westminster Papers in Communication and Culture
Subjects:
Online Access:https://www.westminsterpapers.org/article/id/147/
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author Tarik Sabry
author_facet Tarik Sabry
author_sort Tarik Sabry
collection DOAJ
description Since the mid 1990s the European Union (EU) and its member states, most prominently France and Germany, have encouraged cinematic co-productions between Europe and the Middle East. A large number of films were completed within various EU support and cooperation programmes, ranging from special interest documentaries to Oscar-nominated movies like Paradise Now (2005) or Ajami (2010). As Arab Middle Eastern countries do not have a cinemafunding system of their own, the film-makers depend on cooperation with Europe. While the European partners pride themselves on the success of supported films, the Middle Eastern side is increasingly denouncing a ‘new colonialism’. The displeasure derives from the assertion that the subjects of supported films are limited to Western stereotypes of the Middle East, as well as the fact that a core condition of nearly all financial support is the employment of European crews. Within this scope, how can stories be told, and which ones remain untold?
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spelling doaj.art-583ad6e00c7d4b42b2d93e7d6700d9a62022-12-21T21:46:44ZengUniversity of Westminster PressWestminster Papers in Communication and Culture1744-67162017-06-017210.16997/wpcc.142Untold StoriesTarik Sabry0Communication and Media Research Institute University of WestminsterSince the mid 1990s the European Union (EU) and its member states, most prominently France and Germany, have encouraged cinematic co-productions between Europe and the Middle East. A large number of films were completed within various EU support and cooperation programmes, ranging from special interest documentaries to Oscar-nominated movies like Paradise Now (2005) or Ajami (2010). As Arab Middle Eastern countries do not have a cinemafunding system of their own, the film-makers depend on cooperation with Europe. While the European partners pride themselves on the success of supported films, the Middle Eastern side is increasingly denouncing a ‘new colonialism’. The displeasure derives from the assertion that the subjects of supported films are limited to Western stereotypes of the Middle East, as well as the fact that a core condition of nearly all financial support is the employment of European crews. Within this scope, how can stories be told, and which ones remain untold?https://www.westminsterpapers.org/article/id/147/new colonialismmisunderstandinginternational cooperationfilm-fundingco-productionArab cinema
spellingShingle Tarik Sabry
Untold Stories
Westminster Papers in Communication and Culture
new colonialism
misunderstanding
international cooperation
film-funding
co-production
Arab cinema
title Untold Stories
title_full Untold Stories
title_fullStr Untold Stories
title_full_unstemmed Untold Stories
title_short Untold Stories
title_sort untold stories
topic new colonialism
misunderstanding
international cooperation
film-funding
co-production
Arab cinema
url https://www.westminsterpapers.org/article/id/147/
work_keys_str_mv AT tariksabry untoldstories