Lost Experience : Statuts d’Emerson dans la série Lost

Lost is a polysemic show which mobilizes, for that purpose, the trope of homonymy. Many characters go by the name of great historical figures. This process questions the theme of utopia and ideal society. Yet Benjamin Linus, the main antagonist from the 2nd season to the 5th, is impersonated by an a...

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Main Author: Guillaume Dulong
Format: Article
Language:English
Published: Groupe de Recherche Identités et Cultures 2018-08-01
Series:TV Series
Subjects:
Online Access:http://journals.openedition.org/tvseries/2207
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author Guillaume Dulong
author_facet Guillaume Dulong
author_sort Guillaume Dulong
collection DOAJ
description Lost is a polysemic show which mobilizes, for that purpose, the trope of homonymy. Many characters go by the name of great historical figures. This process questions the theme of utopia and ideal society. Yet Benjamin Linus, the main antagonist from the 2nd season to the 5th, is impersonated by an actor named Michael Emerson, whose name is the same as the American philosopher, Ralph Waldo Emerson, on whom Cavell says that is one of the repressed founding father of American thought. Under what circumstance can we consider that this homonymy constitutes a reference to understand the fictional narrative without taking the risk of confusing our desires with reality? Our thesis is that Lost encourages this sort of risk-taking. The story is a narrative experience, in the wake of Emerson’s self-titled essay. It incites us to rely on ourselves, to dare claim that each of us is special, in order to think a televised subjectivity and intimate recognition at odds with the egocentric voyeur’s posture of the standard viewer.
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spelling doaj.art-583ccdfb90a74b379ca80b78400840eb2022-12-22T00:38:31ZengGroupe de Recherche Identités et CulturesTV Series2266-09092018-08-0110.4000/tvseries.2207Lost Experience : Statuts d’Emerson dans la série LostGuillaume DulongLost is a polysemic show which mobilizes, for that purpose, the trope of homonymy. Many characters go by the name of great historical figures. This process questions the theme of utopia and ideal society. Yet Benjamin Linus, the main antagonist from the 2nd season to the 5th, is impersonated by an actor named Michael Emerson, whose name is the same as the American philosopher, Ralph Waldo Emerson, on whom Cavell says that is one of the repressed founding father of American thought. Under what circumstance can we consider that this homonymy constitutes a reference to understand the fictional narrative without taking the risk of confusing our desires with reality? Our thesis is that Lost encourages this sort of risk-taking. The story is a narrative experience, in the wake of Emerson’s self-titled essay. It incites us to rely on ourselves, to dare claim that each of us is special, in order to think a televised subjectivity and intimate recognition at odds with the egocentric voyeur’s posture of the standard viewer.http://journals.openedition.org/tvseries/2207Impersonationredemptionself-relianceutopiaLindelof DamonEmerson Ralph Waldo
spellingShingle Guillaume Dulong
Lost Experience : Statuts d’Emerson dans la série Lost
TV Series
Impersonation
redemption
self-reliance
utopia
Lindelof Damon
Emerson Ralph Waldo
title Lost Experience : Statuts d’Emerson dans la série Lost
title_full Lost Experience : Statuts d’Emerson dans la série Lost
title_fullStr Lost Experience : Statuts d’Emerson dans la série Lost
title_full_unstemmed Lost Experience : Statuts d’Emerson dans la série Lost
title_short Lost Experience : Statuts d’Emerson dans la série Lost
title_sort lost experience statuts d emerson dans la serie lost
topic Impersonation
redemption
self-reliance
utopia
Lindelof Damon
Emerson Ralph Waldo
url http://journals.openedition.org/tvseries/2207
work_keys_str_mv AT guillaumedulong lostexperiencestatutsdemersondanslaserielost