Exploring the Green Design of Hakka Cultural Creative Textiles for Sustainable Development

This study explored Hakka cultural creative textiles using the green design concept, the cultural creative product design model and Hamilton’s three-component unifying metatheory based on ideology, social structure and technology to analyse the effect of blue dye colour, floral pattern size and patt...

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Main Authors: Wen-Cheng Wang, Chi-Hsiung Jou, Jung-Mei Kao, Wan-Cheng Wu, Ya-Hsien Ko
Format: Article
Language:English
Published: MDPI AG 2022-10-01
Series:Applied Sciences
Subjects:
Online Access:https://www.mdpi.com/2076-3417/12/19/10042
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author Wen-Cheng Wang
Chi-Hsiung Jou
Jung-Mei Kao
Wan-Cheng Wu
Ya-Hsien Ko
author_facet Wen-Cheng Wang
Chi-Hsiung Jou
Jung-Mei Kao
Wan-Cheng Wu
Ya-Hsien Ko
author_sort Wen-Cheng Wang
collection DOAJ
description This study explored Hakka cultural creative textiles using the green design concept, the cultural creative product design model and Hamilton’s three-component unifying metatheory based on ideology, social structure and technology to analyse the effect of blue dye colour, floral pattern size and pattern type on the preference for natural indigo dyed and stonewashed Tung blossom denim. Two hundred and twenty-nine subjects aged 18–24 years (<i>M</i> = 19.5, <i>SD</i> = 1.25) participated in this study. The results demonstrate that the main effect of blue colouring was significant and that Hanaasagi and Ai-iro were the most preferred colours. The main effect of floral pattern size was significant, and the subjects exhibited the strongest preference for the large size and the weakest preference for the extra-small size. The main effect of pattern type was also significant, and the subjects’ preference for the two-dimensional repetitive pattern was always stronger than that for the one-dimensional repetitive pattern. These results show that green design may be combined with cleaner production, such as using natural indigo as a raw material for sustainable development, to create new luxury fashions of cultural creative textiles for consumption.
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spelling doaj.art-5842e72eb9194aef9743918336e190d92023-11-23T19:50:10ZengMDPI AGApplied Sciences2076-34172022-10-0112191004210.3390/app121910042Exploring the Green Design of Hakka Cultural Creative Textiles for Sustainable DevelopmentWen-Cheng Wang0Chi-Hsiung Jou1Jung-Mei Kao2Wan-Cheng Wu3Ya-Hsien Ko4College of Innovation and Entrepreneurship Education, Yango University, Fuzhou 350015, ChinaDepartment of Materials and Textiles, Asia Eastern University of Science and Technology, New Taipei City 22061, TaiwanDepartment of Materials and Textiles, Asia Eastern University of Science and Technology, New Taipei City 22061, TaiwanDepartment of Materials and Textiles, Asia Eastern University of Science and Technology, New Taipei City 22061, TaiwanDepartment of Industrial Management, Asia Eastern University of Science and Technology, New Taipei City 22061, TaiwanThis study explored Hakka cultural creative textiles using the green design concept, the cultural creative product design model and Hamilton’s three-component unifying metatheory based on ideology, social structure and technology to analyse the effect of blue dye colour, floral pattern size and pattern type on the preference for natural indigo dyed and stonewashed Tung blossom denim. Two hundred and twenty-nine subjects aged 18–24 years (<i>M</i> = 19.5, <i>SD</i> = 1.25) participated in this study. The results demonstrate that the main effect of blue colouring was significant and that Hanaasagi and Ai-iro were the most preferred colours. The main effect of floral pattern size was significant, and the subjects exhibited the strongest preference for the large size and the weakest preference for the extra-small size. The main effect of pattern type was also significant, and the subjects’ preference for the two-dimensional repetitive pattern was always stronger than that for the one-dimensional repetitive pattern. These results show that green design may be combined with cleaner production, such as using natural indigo as a raw material for sustainable development, to create new luxury fashions of cultural creative textiles for consumption.https://www.mdpi.com/2076-3417/12/19/10042green designHakka cultural creative textilesnatural indigostonewashed Tung blossom denimsustainable development
spellingShingle Wen-Cheng Wang
Chi-Hsiung Jou
Jung-Mei Kao
Wan-Cheng Wu
Ya-Hsien Ko
Exploring the Green Design of Hakka Cultural Creative Textiles for Sustainable Development
Applied Sciences
green design
Hakka cultural creative textiles
natural indigo
stonewashed Tung blossom denim
sustainable development
title Exploring the Green Design of Hakka Cultural Creative Textiles for Sustainable Development
title_full Exploring the Green Design of Hakka Cultural Creative Textiles for Sustainable Development
title_fullStr Exploring the Green Design of Hakka Cultural Creative Textiles for Sustainable Development
title_full_unstemmed Exploring the Green Design of Hakka Cultural Creative Textiles for Sustainable Development
title_short Exploring the Green Design of Hakka Cultural Creative Textiles for Sustainable Development
title_sort exploring the green design of hakka cultural creative textiles for sustainable development
topic green design
Hakka cultural creative textiles
natural indigo
stonewashed Tung blossom denim
sustainable development
url https://www.mdpi.com/2076-3417/12/19/10042
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AT jungmeikao exploringthegreendesignofhakkaculturalcreativetextilesforsustainabledevelopment
AT wanchengwu exploringthegreendesignofhakkaculturalcreativetextilesforsustainabledevelopment
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