Le rôle de l’image dans Le Cimetière de Prague
If, in a novel like The Last Flame of Queen Loana, the image is used both in a relevant and happy way to show how Umberto Eco conceives, the subject and its memory, in The Cemetery of Prague, it, memory, is problematic, because it is not always in harmony with the textual strategy of the model autho...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
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| Series: | Cahiers de Narratologie |
| Subjects: | |
| Online Access: | https://journals.openedition.org/narratologie/8252 |
| _version_ | 1797314843185774592 |
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| author | Mohamed Bernoussi |
| author_facet | Mohamed Bernoussi |
| author_sort | Mohamed Bernoussi |
| collection | DOAJ |
| description | If, in a novel like The Last Flame of Queen Loana, the image is used both in a relevant and happy way to show how Umberto Eco conceives, the subject and its memory, in The Cemetery of Prague, it, memory, is problematic, because it is not always in harmony with the textual strategy of the model author. This is so because the numerous illustrations out of which is composed the novel are meant to fulfill their usual role, but a mindful (an attentive) reading shows that these illustrations entertain with the verbal text complex relationships and raise many questions concerning the author's intention, that of his work and its reception. |
| first_indexed | 2024-03-08T02:53:00Z |
| format | Article |
| id | doaj.art-588f4f21bc624a20a8808608a9aa8509 |
| institution | Directory Open Access Journal |
| issn | 0993-8516 1765-307X |
| language | fra |
| last_indexed | 2024-03-08T02:53:00Z |
| publisher | Laboratoire Interdisciplinaire Récits Cultures Et Sociétés |
| record_format | Article |
| series | Cahiers de Narratologie |
| spelling | doaj.art-588f4f21bc624a20a8808608a9aa85092024-02-13T13:08:22ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X3310.4000/narratologie.8252Le rôle de l’image dans Le Cimetière de PragueMohamed BernoussiIf, in a novel like The Last Flame of Queen Loana, the image is used both in a relevant and happy way to show how Umberto Eco conceives, the subject and its memory, in The Cemetery of Prague, it, memory, is problematic, because it is not always in harmony with the textual strategy of the model author. This is so because the numerous illustrations out of which is composed the novel are meant to fulfill their usual role, but a mindful (an attentive) reading shows that these illustrations entertain with the verbal text complex relationships and raise many questions concerning the author's intention, that of his work and its reception.https://journals.openedition.org/narratologie/8252Prague CemeteryAntisemitism19th Centurythe power of the imageIntentio Operis |
| spellingShingle | Mohamed Bernoussi Le rôle de l’image dans Le Cimetière de Prague Cahiers de Narratologie Prague Cemetery Antisemitism 19th Century the power of the image Intentio Operis |
| title | Le rôle de l’image dans Le Cimetière de Prague |
| title_full | Le rôle de l’image dans Le Cimetière de Prague |
| title_fullStr | Le rôle de l’image dans Le Cimetière de Prague |
| title_full_unstemmed | Le rôle de l’image dans Le Cimetière de Prague |
| title_short | Le rôle de l’image dans Le Cimetière de Prague |
| title_sort | le role de l image dans le cimetiere de prague |
| topic | Prague Cemetery Antisemitism 19th Century the power of the image Intentio Operis |
| url | https://journals.openedition.org/narratologie/8252 |
| work_keys_str_mv | AT mohamedbernoussi leroledelimagedanslecimetieredeprague |