Hinking about art as work: self-management and new job opportunities for artists

Within circuits of dissemination, visibility and legitimacy of art that were structured in Argentina, there has been a trend by which metropolitan cities like Buenos Aires have condensed exhibition and marketing spaces with more recognition in this field, thus becoming a privileged center for legiti...

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Main Author: Delfina Zarauza
Format: Article
Language:Spanish
Published: Universidad de Buenos Aires 2017-05-01
Series:Cuadernos de Antropología Social
Subjects:
Online Access:http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/3582
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author Delfina Zarauza
author_facet Delfina Zarauza
author_sort Delfina Zarauza
collection DOAJ
description Within circuits of dissemination, visibility and legitimacy of art that were structured in Argentina, there has been a trend by which metropolitan cities like Buenos Aires have condensed exhibition and marketing spaces with more recognition in this field, thus becoming a privileged center for legitimizing cultural productions and producers. However, the installation of cultural centers in different localities of the Buenos Aires province has generated changes in this distribution dynamics by including spaces that were previously marginalized in the art map. Through a case study, I analyze the changes brought about in the cultural context of Las Flores, a city in the province of Buenos Aires, with the emergence of “La Despensa Cultural”, an independent cultural center promoting the achievements of artists who live in the town. The article aims to examine if the installation of this space created new opportunities locally for the artistic and professional development of artists who lived there.
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spelling doaj.art-58cc05234da648569a3e310d5e40a00d2022-12-22T02:19:36ZspaUniversidad de Buenos AiresCuadernos de Antropología Social0327-37761850-275X2017-05-0104483992978Hinking about art as work: self-management and new job opportunities for artistsDelfina Zarauza0FaHCE-FBA-UNLP. La PlataWithin circuits of dissemination, visibility and legitimacy of art that were structured in Argentina, there has been a trend by which metropolitan cities like Buenos Aires have condensed exhibition and marketing spaces with more recognition in this field, thus becoming a privileged center for legitimizing cultural productions and producers. However, the installation of cultural centers in different localities of the Buenos Aires province has generated changes in this distribution dynamics by including spaces that were previously marginalized in the art map. Through a case study, I analyze the changes brought about in the cultural context of Las Flores, a city in the province of Buenos Aires, with the emergence of “La Despensa Cultural”, an independent cultural center promoting the achievements of artists who live in the town. The article aims to examine if the installation of this space created new opportunities locally for the artistic and professional development of artists who lived there.http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/3582ArtistaTrabajoDistribuciónAutogestiónInterior
spellingShingle Delfina Zarauza
Hinking about art as work: self-management and new job opportunities for artists
Cuadernos de Antropología Social
Artista
Trabajo
Distribución
Autogestión
Interior
title Hinking about art as work: self-management and new job opportunities for artists
title_full Hinking about art as work: self-management and new job opportunities for artists
title_fullStr Hinking about art as work: self-management and new job opportunities for artists
title_full_unstemmed Hinking about art as work: self-management and new job opportunities for artists
title_short Hinking about art as work: self-management and new job opportunities for artists
title_sort hinking about art as work self management and new job opportunities for artists
topic Artista
Trabajo
Distribución
Autogestión
Interior
url http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/3582
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