THE ACTING TEACHER – THE MAIN ELEMENT IN THE FUTURE ACTING CREATION
The purpose of this work is to highlight and remind the importance of the acting teacher in the artistic development of the actor. The pedagogical dimension of the director in working with the actor will also be highlighted. The actor’s art is in a natural and continuous movement and development, bu...
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| Format: | Article |
| Language: | deu |
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Notograf Prim
2022-03-01
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| Series: | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
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| Online Access: | https://revista.amtap.md/wp-content/files_mf/164863240828.Giurescu_Profesorul_de_actorie.pdf |
| Summary: | The purpose of this work is to highlight and remind the importance of the acting teacher in the artistic development of the actor. The pedagogical dimension of the director in working with the actor will also be highlighted. The actor’s art is in a natural and continuous movement and development, but the knowledge acquired in acting practice, on the student stage, should remain immutable, even if it is rarely ignored and even deliberately forgotten. In order not to lose our creative identity in the whirlwind of sometimes forced modernization of this art, a return to the authentic models revealed in school becomes an urgent necessity. In this context, the acting teacher becomes the main pawn in the formation and development of the student’s interior world, the future professional actor. K.S. Stanislavsky fits into the undeniable pattern of artistic transformation: from the amateur to the professional, from the seeker to the pedagogue. |
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| ISSN: | 2345-1408 2345-1831 |