<b>Constructed waste: Eliot’s Madame Sosostris</b> - doi: 10.4025/actascilangcult.v35i1.14716

Critics have recently addressed the work of T. S. Eliot in an innovative way. Instead of resorting to the same old epithets, ‘royalist, classicist, Anglo-Catholic,’ Eliot has been described as a poet who constantly challenged the very tradition he wished to preserve, confusing the limits between hig...

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Main Author: André Cechinel
Format: Article
Language:English
Published: Universidade Estadual de Maringá 2012-09-01
Series:Acta Scientiarum: Language and Culture
Subjects:
Online Access:https://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/14716
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author André Cechinel
author_facet André Cechinel
author_sort André Cechinel
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description Critics have recently addressed the work of T. S. Eliot in an innovative way. Instead of resorting to the same old epithets, ‘royalist, classicist, Anglo-Catholic,’ Eliot has been described as a poet who constantly challenged the very tradition he wished to preserve, confusing the limits between high and low cultures in his poems. Still, when it comes to introducing his work to the reader, manuals of literature are frequently eager to preserve the traditional image that scholars of Eliot have fought to challenge. From the analysis of Madame Sosostris’ appearance in The Waste Land, this essay intends to show how this movement of resistance to different Eliot works. In a few words, not to lose control over the place Eliot occupies as a modern poet, some manuals impose interpretations that, at times, cannot grasp the complexity of his lines.
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spelling doaj.art-5963dc65f49341c69b22929ce6e2283c2022-12-22T01:22:31ZengUniversidade Estadual de MaringáActa Scientiarum: Language and Culture1983-46751983-46832012-09-0135110.4025/actascilangcult.v35i1.14716<b>Constructed waste: Eliot’s Madame Sosostris</b> - doi: 10.4025/actascilangcult.v35i1.14716André Cechinel0Universidade do Extremo Sul CatarinenseCritics have recently addressed the work of T. S. Eliot in an innovative way. Instead of resorting to the same old epithets, ‘royalist, classicist, Anglo-Catholic,’ Eliot has been described as a poet who constantly challenged the very tradition he wished to preserve, confusing the limits between high and low cultures in his poems. Still, when it comes to introducing his work to the reader, manuals of literature are frequently eager to preserve the traditional image that scholars of Eliot have fought to challenge. From the analysis of Madame Sosostris’ appearance in The Waste Land, this essay intends to show how this movement of resistance to different Eliot works. In a few words, not to lose control over the place Eliot occupies as a modern poet, some manuals impose interpretations that, at times, cannot grasp the complexity of his lines. https://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/14716ModernismcanonThe Waste Land
spellingShingle André Cechinel
<b>Constructed waste: Eliot’s Madame Sosostris</b> - doi: 10.4025/actascilangcult.v35i1.14716
Acta Scientiarum: Language and Culture
Modernism
canon
The Waste Land
title <b>Constructed waste: Eliot’s Madame Sosostris</b> - doi: 10.4025/actascilangcult.v35i1.14716
title_full <b>Constructed waste: Eliot’s Madame Sosostris</b> - doi: 10.4025/actascilangcult.v35i1.14716
title_fullStr <b>Constructed waste: Eliot’s Madame Sosostris</b> - doi: 10.4025/actascilangcult.v35i1.14716
title_full_unstemmed <b>Constructed waste: Eliot’s Madame Sosostris</b> - doi: 10.4025/actascilangcult.v35i1.14716
title_short <b>Constructed waste: Eliot’s Madame Sosostris</b> - doi: 10.4025/actascilangcult.v35i1.14716
title_sort b constructed waste eliot s madame sosostris b doi 10 4025 actascilangcult v35i1 14716
topic Modernism
canon
The Waste Land
url https://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/14716
work_keys_str_mv AT andrecechinel bconstructedwasteeliotsmadamesosostrisbdoi104025actascilangcultv35i114716