Un sapere inutile ma necessario. Per una lettura di Ovidio, Pont. I 5

As the tradition of the literary genre wills it, the poetry of exile has for subject-matter the laments of the narrator in his role of exul, aware that he will not be able to regain his mother country. For the poet, exiled at Tomis, the city of Rome represents the place of regret and wistfulness, th...

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Main Author: Lucio Cristante
Format: Article
Language:fra
Published: Presses universitaires du Midi 2009-01-01
Series:Pallas
Subjects:
Online Access:http://journals.openedition.org/pallas/15852
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author Lucio Cristante
author_facet Lucio Cristante
author_sort Lucio Cristante
collection DOAJ
description As the tradition of the literary genre wills it, the poetry of exile has for subject-matter the laments of the narrator in his role of exul, aware that he will not be able to regain his mother country. For the poet, exiled at Tomis, the city of Rome represents the place of regret and wistfulness, the place of friendships, of social and cultural life, a unique point of reference, in its near mythical but always real distance, for any poetical discourse. Even in this elegy, the remembrance and usage of the genre’ s topoi make of the epistula a highly serious literary game which concerns Ovid’ s whole work as well as his poetics. Poetry alone, through its wholesome uselessness, has followed the poet during his enforced sojourn. The specificity of the letter Pont. I 5 lies in confirming the poet’s faithfulness to poetry, namely that ≪ minor ≫ poetry which provoked his exile - faithfulness to poetry (and its myths) which stands for the choice of a way of life to which it confers worth, meaning and consolation. In this light, the letter to Cotta Maximus reveals its whole truth.
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spelling doaj.art-599710166ed442f5b4ae215fd752c2c72023-02-09T16:29:13ZfraPresses universitaires du MidiPallas0031-03872272-76392009-01-017830931710.4000/pallas.15852Un sapere inutile ma necessario. Per una lettura di Ovidio, Pont. I 5Lucio CristanteAs the tradition of the literary genre wills it, the poetry of exile has for subject-matter the laments of the narrator in his role of exul, aware that he will not be able to regain his mother country. For the poet, exiled at Tomis, the city of Rome represents the place of regret and wistfulness, the place of friendships, of social and cultural life, a unique point of reference, in its near mythical but always real distance, for any poetical discourse. Even in this elegy, the remembrance and usage of the genre’ s topoi make of the epistula a highly serious literary game which concerns Ovid’ s whole work as well as his poetics. Poetry alone, through its wholesome uselessness, has followed the poet during his enforced sojourn. The specificity of the letter Pont. I 5 lies in confirming the poet’s faithfulness to poetry, namely that ≪ minor ≫ poetry which provoked his exile - faithfulness to poetry (and its myths) which stands for the choice of a way of life to which it confers worth, meaning and consolation. In this light, the letter to Cotta Maximus reveals its whole truth.http://journals.openedition.org/pallas/15852OvidEpistulae ex Pontoelegiac poetryHoraceArs poeticaOctavian Augustus
spellingShingle Lucio Cristante
Un sapere inutile ma necessario. Per una lettura di Ovidio, Pont. I 5
Pallas
Ovid
Epistulae ex Ponto
elegiac poetry
Horace
Ars poetica
Octavian Augustus
title Un sapere inutile ma necessario. Per una lettura di Ovidio, Pont. I 5
title_full Un sapere inutile ma necessario. Per una lettura di Ovidio, Pont. I 5
title_fullStr Un sapere inutile ma necessario. Per una lettura di Ovidio, Pont. I 5
title_full_unstemmed Un sapere inutile ma necessario. Per una lettura di Ovidio, Pont. I 5
title_short Un sapere inutile ma necessario. Per una lettura di Ovidio, Pont. I 5
title_sort un sapere inutile ma necessario per una lettura di ovidio pont i 5
topic Ovid
Epistulae ex Ponto
elegiac poetry
Horace
Ars poetica
Octavian Augustus
url http://journals.openedition.org/pallas/15852
work_keys_str_mv AT luciocristante unsapereinutilemanecessarioperunaletturadiovidioponti5