Musical Entrainment Subsumes Bodily Gestures – Its Definition Needs a Spatiotemporal Dimension
In his paper “What is entrainment? Definition and applications in musical research” (this issue), M. Clayton offers a definition of entrainment that is based on a timing dimension (relative phase relationships). However, this definition may be too limited when applied to musical entrainment. Based o...
Main Author: | Marc Leman |
---|---|
Format: | Article |
Language: | English |
Published: |
The Ohio State University Libraries
2012-09-01
|
Series: | Empirical Musicology Review |
Subjects: | |
Online Access: | https://kb.osu.edu/dspace/handle/1811/52981 |
Similar Items
-
The performative pleasure of imprecision: a diachronic study of entrainment in music performance
by: Andrew eGeeves, et al.
Published: (2014-10-01) -
Musical gesture and phenomenology of musical space in 20th-century avant-garde music
by: Bériachvili Georges
Published: (2020-01-01) -
The Interpersonal Entrainment in Music Performance Data Collection
by: Martin Clayton, et al.
Published: (2021-12-01) -
Entrainment and Synchronization to Auditory Stimuli During Walking in Healthy and Neurological Populations: A Methodological Systematic Review
by: Lousin Moumdjian, et al.
Published: (2018-06-01) -
Meaning-making and creativity in musical entrainment
by: Andrea Schiavio, et al.
Published: (2024-01-01)