istorical reinterpretations in representations and re(a)presentations in “Bacurau'
This article discusses the historical resignifications in the film “Bacurau” (2019). Thus, critical-theoretical concepts such as representation, based on Hall (2006) and Chartier (2002) in the context of Cultural Studies and Cultural History, as well as ideas of power and...
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| Format: | Article |
| Language: | Portuguese |
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Universidade de Passo Fundo (UPF)
2021-12-01
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| Series: | Semina |
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| Online Access: | http://seer.upf.br/index.php/ph/article/view/13103/114116274 |
| _version_ | 1818492235524603904 |
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| author | Kelvin Oliveira do Prado |
| author_facet | Kelvin Oliveira do Prado |
| author_sort | Kelvin Oliveira do Prado |
| collection | DOAJ |
| description | This article discusses the historical resignifications in the film “Bacurau” (2019). Thus, critical-theoretical concepts such as representation, based on Hall (2006) and Chartier (2002) in the context of Cultural Studies and Cultural History, as well as ideas of power and distinction in Bourdieu (1989), are used, in order to understand the agency and spatial significations in the diegesis. Furthermore, the filmic language is taken as a locus of positioning that starts from the authors and the world that surrounds them, in addition to those who receive the work; the moving-images that are approached as readable texts, as writing in images. In the end, it is understood that the artistic work brings elements that engender anti-colonial narratives to socially and historically subaltern people. |
| first_indexed | 2024-12-10T17:40:25Z |
| format | Article |
| id | doaj.art-5a0dd0e1ac024d8baa7027ff86877f04 |
| institution | Directory Open Access Journal |
| issn | 1677-1001 |
| language | Portuguese |
| last_indexed | 2024-12-10T17:40:25Z |
| publishDate | 2021-12-01 |
| publisher | Universidade de Passo Fundo (UPF) |
| record_format | Article |
| series | Semina |
| spelling | doaj.art-5a0dd0e1ac024d8baa7027ff86877f042022-12-22T01:39:24ZporUniversidade de Passo Fundo (UPF)Semina1677-10012021-12-0120310011810.5335/srph.v20i3.13103istorical reinterpretations in representations and re(a)presentations in “Bacurau'Kelvin Oliveira do Prado0https://orcid.org/0000-0002-6649-7502Universidade Federal da Bahia, BrasilThis article discusses the historical resignifications in the film “Bacurau” (2019). Thus, critical-theoretical concepts such as representation, based on Hall (2006) and Chartier (2002) in the context of Cultural Studies and Cultural History, as well as ideas of power and distinction in Bourdieu (1989), are used, in order to understand the agency and spatial significations in the diegesis. Furthermore, the filmic language is taken as a locus of positioning that starts from the authors and the world that surrounds them, in addition to those who receive the work; the moving-images that are approached as readable texts, as writing in images. In the end, it is understood that the artistic work brings elements that engender anti-colonial narratives to socially and historically subaltern people.http://seer.upf.br/index.php/ph/article/view/13103/114116274cinemanortheastimagistic reconstructions |
| spellingShingle | Kelvin Oliveira do Prado istorical reinterpretations in representations and re(a)presentations in “Bacurau' Semina cinema northeast imagistic reconstructions |
| title | istorical reinterpretations in representations and re(a)presentations in “Bacurau' |
| title_full | istorical reinterpretations in representations and re(a)presentations in “Bacurau' |
| title_fullStr | istorical reinterpretations in representations and re(a)presentations in “Bacurau' |
| title_full_unstemmed | istorical reinterpretations in representations and re(a)presentations in “Bacurau' |
| title_short | istorical reinterpretations in representations and re(a)presentations in “Bacurau' |
| title_sort | istorical reinterpretations in representations and re a presentations in bacurau |
| topic | cinema northeast imagistic reconstructions |
| url | http://seer.upf.br/index.php/ph/article/view/13103/114116274 |
| work_keys_str_mv | AT kelvinoliveiradoprado istoricalreinterpretationsinrepresentationsandreapresentationsinbacurau |