Experiencing a painting

This article discusses how the relationship between the perceiving and the perceived can be outlined in terms of a current philosophical and neuroscientific understanding. The ambition is to highlight the potential relations between the processes of consciousness and interpretation, particularly reg...

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Main Author: Kim Malmbak  Meltofte Møller
Format: Article
Language:Danish
Published: Aalborg University Open Publishing 2017-12-01
Series:Akademisk Kvarter
Subjects:
Online Access:https://journals.aau.dk/index.php/ak/article/view/2606
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author Kim Malmbak  Meltofte Møller
author_facet Kim Malmbak  Meltofte Møller
author_sort Kim Malmbak  Meltofte Møller
collection DOAJ
description This article discusses how the relationship between the perceiving and the perceived can be outlined in terms of a current philosophical and neuroscientific understanding. The ambition is to highlight the potential relations between the processes of consciousness and interpretation, particularly regarding the experience of art as invoking an immediate feeling. The article takes a philosophical standpoint that is inspired by Edmund Husserl’s epistemological discussions regarding intentionality and tries to combine it with a discussion of art as having the potential to invoke a feeling. In other words, the article tries to answer how, if we maintain the philosophical understanding of ourselves as the perceiving entity, art can invoke an immediate feeling within us.
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spelling doaj.art-5a100c6985944a1685d3c1627664dd4b2024-04-02T16:37:55ZdanAalborg University Open PublishingAkademisk Kvarter1904-00082017-12-011610.5278/ojs.ak.v0i16.2606Experiencing a paintingKim Malmbak  Meltofte MøllerThis article discusses how the relationship between the perceiving and the perceived can be outlined in terms of a current philosophical and neuroscientific understanding. The ambition is to highlight the potential relations between the processes of consciousness and interpretation, particularly regarding the experience of art as invoking an immediate feeling. The article takes a philosophical standpoint that is inspired by Edmund Husserl’s epistemological discussions regarding intentionality and tries to combine it with a discussion of art as having the potential to invoke a feeling. In other words, the article tries to answer how, if we maintain the philosophical understanding of ourselves as the perceiving entity, art can invoke an immediate feeling within us. https://journals.aau.dk/index.php/ak/article/view/2606Interpretation, epistemology, neuroscience, art, experience
spellingShingle Kim Malmbak  Meltofte Møller
Experiencing a painting
Akademisk Kvarter
Interpretation, epistemology, neuroscience, art, experience
title Experiencing a painting
title_full Experiencing a painting
title_fullStr Experiencing a painting
title_full_unstemmed Experiencing a painting
title_short Experiencing a painting
title_sort experiencing a painting
topic Interpretation, epistemology, neuroscience, art, experience
url https://journals.aau.dk/index.php/ak/article/view/2606
work_keys_str_mv AT kimmalmbakmeltoftemøller experiencingapainting