Fluxus: between Koan and artistic practice
<p>Under the experimental Fluxus and shaped by their attraction to certain premises of Zen Buddhism, including koan, many artists began to raise all kinds of proposals, from object-based practices to actions, but generally guided by the mental structure of zen koan itself, for example, irony,...
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Format: | Article |
Language: | Spanish |
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Universidad de Granada
2011-01-01
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Series: | Cuadernos de Arte de la Universidad de Granada |
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Online Access: | http://revistaseug.ugr.es/index.php/caug/article/view/2659 |
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author | Iñigo Sarriugarte Gómez |
author_facet | Iñigo Sarriugarte Gómez |
author_sort | Iñigo Sarriugarte Gómez |
collection | DOAJ |
description | <p>Under the experimental Fluxus and shaped by their attraction to certain premises of Zen Buddhism, including koan, many artists began to raise all kinds of proposals, from object-based practices to actions, but generally guided by the mental structure of zen koan itself, for example, irony, humor and meditative processes. These artists were able to give a previously nonexistent prominence both actions based on daily events, such as objects that had failed to interest social. In this way, they managed to eliminate many of the barriers between art and life.</p> |
first_indexed | 2024-12-21T12:43:12Z |
format | Article |
id | doaj.art-5a112a7a5d6649eda5fe86895c906b47 |
institution | Directory Open Access Journal |
issn | 0210-962X 2445-4567 |
language | Spanish |
last_indexed | 2024-12-21T12:43:12Z |
publishDate | 2011-01-01 |
publisher | Universidad de Granada |
record_format | Article |
series | Cuadernos de Arte de la Universidad de Granada |
spelling | doaj.art-5a112a7a5d6649eda5fe86895c906b472022-12-21T19:03:43ZspaUniversidad de GranadaCuadernos de Arte de la Universidad de Granada0210-962X2445-45672011-01-014201932142388Fluxus: between Koan and artistic practiceIñigo Sarriugarte Gómez0Universidad del País Vasco<p>Under the experimental Fluxus and shaped by their attraction to certain premises of Zen Buddhism, including koan, many artists began to raise all kinds of proposals, from object-based practices to actions, but generally guided by the mental structure of zen koan itself, for example, irony, humor and meditative processes. These artists were able to give a previously nonexistent prominence both actions based on daily events, such as objects that had failed to interest social. In this way, they managed to eliminate many of the barriers between art and life.</p>http://revistaseug.ugr.es/index.php/caug/article/view/2659Arte contemporáneoartistasbudismo zenFluxus |
spellingShingle | Iñigo Sarriugarte Gómez Fluxus: between Koan and artistic practice Cuadernos de Arte de la Universidad de Granada Arte contemporáneo artistas budismo zen Fluxus |
title | Fluxus: between Koan and artistic practice |
title_full | Fluxus: between Koan and artistic practice |
title_fullStr | Fluxus: between Koan and artistic practice |
title_full_unstemmed | Fluxus: between Koan and artistic practice |
title_short | Fluxus: between Koan and artistic practice |
title_sort | fluxus between koan and artistic practice |
topic | Arte contemporáneo artistas budismo zen Fluxus |
url | http://revistaseug.ugr.es/index.php/caug/article/view/2659 |
work_keys_str_mv | AT inigosarriugartegomez fluxusbetweenkoanandartisticpractice |