Corneille’s Heroic Comedies

The article deals with a special type of drama specified by Corneille himself as heroic comedy. The playwright placed it somewhere in between two major types of drama, comedy and tragedy, and at the same time distinguished it from tragicomedy that was at the peak of fashion at the beginning of Corne...

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Main Author: Mikhail L. Аndreev
Format: Article
Language:English
Published: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences 2017-09-01
Series:Studia Litterarum
Subjects:
Online Access:http://studlit.ru/images/2017-2-3/Andreev.pdf
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author Mikhail L. Аndreev
author_facet Mikhail L. Аndreev
author_sort Mikhail L. Аndreev
collection DOAJ
description The article deals with a special type of drama specified by Corneille himself as heroic comedy. The playwright placed it somewhere in between two major types of drama, comedy and tragedy, and at the same time distinguished it from tragicomedy that was at the peak of fashion at the beginning of Corneille’s literary career. A typical tragicomedy of the first half of the 17 th century derived either from comedy with the added tragic intonations and overtones or tragedy with various comic figures and situations introduced. The article demonstrates that Corneille practiced a more complex way of uniting different genres. From tragedies, he takes a conflict with parental power (euphemistically represented as a state power) but deprives it of its usual tragic severity and ambiguity. As a result, generic characteristics acquire a new meaning while heroic comedy, rather than a combination of elements of different genres, becomes a synthetic new genre in its own right.
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spelling doaj.art-5a117b66302547cc996ddfb5e6f948842022-12-22T02:49:33ZengA.M. Gorky Institute of World Literature of the Russian Academy of SciencesStudia Litterarum2500-42472541-85642017-09-0123829310.22455/2500-4247-2017-2-3-82-93Corneille’s Heroic ComediesMikhail L. Аndreev0A.M. Gorky Institute of World Literature of the Russian Academy of SciencesThe article deals with a special type of drama specified by Corneille himself as heroic comedy. The playwright placed it somewhere in between two major types of drama, comedy and tragedy, and at the same time distinguished it from tragicomedy that was at the peak of fashion at the beginning of Corneille’s literary career. A typical tragicomedy of the first half of the 17 th century derived either from comedy with the added tragic intonations and overtones or tragedy with various comic figures and situations introduced. The article demonstrates that Corneille practiced a more complex way of uniting different genres. From tragedies, he takes a conflict with parental power (euphemistically represented as a state power) but deprives it of its usual tragic severity and ambiguity. As a result, generic characteristics acquire a new meaning while heroic comedy, rather than a combination of elements of different genres, becomes a synthetic new genre in its own right.http://studlit.ru/images/2017-2-3/Andreev.pdfPierre Corneilletragicomedycomedytragedythe poetics of the genre
spellingShingle Mikhail L. Аndreev
Corneille’s Heroic Comedies
Studia Litterarum
Pierre Corneille
tragicomedy
comedy
tragedy
the poetics of the genre
title Corneille’s Heroic Comedies
title_full Corneille’s Heroic Comedies
title_fullStr Corneille’s Heroic Comedies
title_full_unstemmed Corneille’s Heroic Comedies
title_short Corneille’s Heroic Comedies
title_sort corneille s heroic comedies
topic Pierre Corneille
tragicomedy
comedy
tragedy
the poetics of the genre
url http://studlit.ru/images/2017-2-3/Andreev.pdf
work_keys_str_mv AT mikhaillandreev corneillesheroiccomedies