Le culte et l’iconographie des deux st. Andre de Crete

This paper discusses the cult and iconography on frescoes of two St. Andrews developed within the Byzantine world, one being an archbishop of Crete and the other, his homonym, a saint from the same island, known as Saint Andrew “in Crisi”. Those researches proved that both homonym saints were ven...

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Main Author: Pavlović Dragana
Format: Article
Language:Bulgarian
Published: Institute for Byzantine Studies of the Serbian Academy of Sciences and Arts 2012-01-01
Series:Zbornik Radova Vizantološkog Instituta
Subjects:
Online Access:http://www.doiserbia.nb.rs/img/doi/0584-9888/2012/0584-98881249213P.pdf
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author Pavlović Dragana
author_facet Pavlović Dragana
author_sort Pavlović Dragana
collection DOAJ
description This paper discusses the cult and iconography on frescoes of two St. Andrews developed within the Byzantine world, one being an archbishop of Crete and the other, his homonym, a saint from the same island, known as Saint Andrew “in Crisi”. Those researches proved that both homonym saints were venerated not only through the entire medieval period but moreover, their cults developed equally, however St. Andrew, the archbishop of Crete, was more prominent figure than his homonym. Nevertheless, the same epithet and name brings to confusion in their later identification. After a thorough examination of iconography of two saints in certain representations of Crete’s archbishop, the other saint is identified, a homonym of the famous byzantine writer.[Projekat Ministarstva nauke Republike Srbije, br. 177036 – Srpska srednjovekovna umetnost i njen evropski kontekst]
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spelling doaj.art-5ab792f431744a9fb039c80f664be90f2022-12-21T19:54:32ZbulInstitute for Byzantine Studies of the Serbian Academy of Sciences and ArtsZbornik Radova Vizantološkog Instituta0584-98882012-01-0120124921324110.2298/ZRVI1249213PLe culte et l’iconographie des deux st. Andre de CretePavlović DraganaThis paper discusses the cult and iconography on frescoes of two St. Andrews developed within the Byzantine world, one being an archbishop of Crete and the other, his homonym, a saint from the same island, known as Saint Andrew “in Crisi”. Those researches proved that both homonym saints were venerated not only through the entire medieval period but moreover, their cults developed equally, however St. Andrew, the archbishop of Crete, was more prominent figure than his homonym. Nevertheless, the same epithet and name brings to confusion in their later identification. After a thorough examination of iconography of two saints in certain representations of Crete’s archbishop, the other saint is identified, a homonym of the famous byzantine writer.[Projekat Ministarstva nauke Republike Srbije, br. 177036 – Srpska srednjovekovna umetnost i njen evropski kontekst]http://www.doiserbia.nb.rs/img/doi/0584-9888/2012/0584-98881249213P.pdfSaint Andrew archbishop of CreteSaint Andrew “in Crisi”Byzantine paintingiconographySerbian medieval painting
spellingShingle Pavlović Dragana
Le culte et l’iconographie des deux st. Andre de Crete
Zbornik Radova Vizantološkog Instituta
Saint Andrew archbishop of Crete
Saint Andrew “in Crisi”
Byzantine painting
iconography
Serbian medieval painting
title Le culte et l’iconographie des deux st. Andre de Crete
title_full Le culte et l’iconographie des deux st. Andre de Crete
title_fullStr Le culte et l’iconographie des deux st. Andre de Crete
title_full_unstemmed Le culte et l’iconographie des deux st. Andre de Crete
title_short Le culte et l’iconographie des deux st. Andre de Crete
title_sort le culte et l iconographie des deux st andre de crete
topic Saint Andrew archbishop of Crete
Saint Andrew “in Crisi”
Byzantine painting
iconography
Serbian medieval painting
url http://www.doiserbia.nb.rs/img/doi/0584-9888/2012/0584-98881249213P.pdf
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