Displaying words in narrative configurations, reimagining print narrative: William H. Gass, Mark Z. Danielewski, Vanessa Place

This article explores the significance of the visual and textual hybridity of three contemporary American fictions, William Gass’s The Tunnel, Mark Z. Danielewski’s Only Revolutions and Vanessa Place’s La Medusa. Each of them shows a different mode of generating narrative in visual-verbal assemblage...

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Main Author: Brigitte Félix
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2016-12-01
Series:Sillages Critiques
Subjects:
Online Access:http://journals.openedition.org/sillagescritiques/4740
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author Brigitte Félix
author_facet Brigitte Félix
author_sort Brigitte Félix
collection DOAJ
description This article explores the significance of the visual and textual hybridity of three contemporary American fictions, William Gass’s The Tunnel, Mark Z. Danielewski’s Only Revolutions and Vanessa Place’s La Medusa. Each of them shows a different mode of generating narrative in visual-verbal assemblages, which question our relation to reading. Foregrounding the textual process of inscription and opening narrative to iconic embodiments, those texts also draw our attention to the condition of print books and literature in the digital age. They challenge us to find or invent new forms of critical analysis adjusted to their hybrid narrative configurations.
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spelling doaj.art-5b0173a802d948049681ddb2759c9a902022-12-22T03:14:53ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022016-12-0121Displaying words in narrative configurations, reimagining print narrative: William H. Gass, Mark Z. Danielewski, Vanessa PlaceBrigitte FélixThis article explores the significance of the visual and textual hybridity of three contemporary American fictions, William Gass’s The Tunnel, Mark Z. Danielewski’s Only Revolutions and Vanessa Place’s La Medusa. Each of them shows a different mode of generating narrative in visual-verbal assemblages, which question our relation to reading. Foregrounding the textual process of inscription and opening narrative to iconic embodiments, those texts also draw our attention to the condition of print books and literature in the digital age. They challenge us to find or invent new forms of critical analysis adjusted to their hybrid narrative configurations.http://journals.openedition.org/sillagescritiques/4740contemporary American fictionimage-textinnovative narrationtextualitytextual studiestypography
spellingShingle Brigitte Félix
Displaying words in narrative configurations, reimagining print narrative: William H. Gass, Mark Z. Danielewski, Vanessa Place
Sillages Critiques
contemporary American fiction
image-text
innovative narration
textuality
textual studies
typography
title Displaying words in narrative configurations, reimagining print narrative: William H. Gass, Mark Z. Danielewski, Vanessa Place
title_full Displaying words in narrative configurations, reimagining print narrative: William H. Gass, Mark Z. Danielewski, Vanessa Place
title_fullStr Displaying words in narrative configurations, reimagining print narrative: William H. Gass, Mark Z. Danielewski, Vanessa Place
title_full_unstemmed Displaying words in narrative configurations, reimagining print narrative: William H. Gass, Mark Z. Danielewski, Vanessa Place
title_short Displaying words in narrative configurations, reimagining print narrative: William H. Gass, Mark Z. Danielewski, Vanessa Place
title_sort displaying words in narrative configurations reimagining print narrative william h gass mark z danielewski vanessa place
topic contemporary American fiction
image-text
innovative narration
textuality
textual studies
typography
url http://journals.openedition.org/sillagescritiques/4740
work_keys_str_mv AT brigittefelix displayingwordsinnarrativeconfigurationsreimaginingprintnarrativewilliamhgassmarkzdanielewskivanessaplace