Le détour par soi
In his work, Daniel Fabre uses his autobiographical experience both as a resource and as a watermark. In his book Bataille à Lascaux. Comment l’art préhistorique apparut aux enfants, this experience runs all through his research career and his writing. The detour he made via himself involved both Ge...
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| Format: | Article |
| Language: | fra |
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Centre de Recherches Historiques
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| Series: | L'Atelier du CRH |
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| Online Access: | https://journals.openedition.org/acrh/7541 |
| _version_ | 1797313513874522112 |
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| author | Christian Jouhaud |
| author_facet | Christian Jouhaud |
| author_sort | Christian Jouhaud |
| collection | DOAJ |
| description | In his work, Daniel Fabre uses his autobiographical experience both as a resource and as a watermark. In his book Bataille à Lascaux. Comment l’art préhistorique apparut aux enfants, this experience runs all through his research career and his writing. The detour he made via himself involved both George Bataille’s work – for whom the interpretation of the wall paintings of Lascaux cannot be separate from the experience of their discovering – and the work of Bataille’s analyst. Such a detour enables Daniel Fabre to cross several levels – from an ethnology of prehistoric or even Marian appearances to children, to an anthropology of symbolics and an anthropology of knowledge about the birth of human being. |
| first_indexed | 2024-03-08T02:32:44Z |
| format | Article |
| id | doaj.art-5b01889ab85249ff8a852c464b8188ca |
| institution | Directory Open Access Journal |
| issn | 1760-7914 |
| language | fra |
| last_indexed | 2024-03-08T02:32:44Z |
| publisher | Centre de Recherches Historiques |
| record_format | Article |
| series | L'Atelier du CRH |
| spelling | doaj.art-5b01889ab85249ff8a852c464b8188ca2024-02-13T14:00:10ZfraCentre de Recherches HistoriquesL'Atelier du CRH1760-79141610.4000/acrh.7541Le détour par soiChristian JouhaudIn his work, Daniel Fabre uses his autobiographical experience both as a resource and as a watermark. In his book Bataille à Lascaux. Comment l’art préhistorique apparut aux enfants, this experience runs all through his research career and his writing. The detour he made via himself involved both George Bataille’s work – for whom the interpretation of the wall paintings of Lascaux cannot be separate from the experience of their discovering – and the work of Bataille’s analyst. Such a detour enables Daniel Fabre to cross several levels – from an ethnology of prehistoric or even Marian appearances to children, to an anthropology of symbolics and an anthropology of knowledge about the birth of human being.https://journals.openedition.org/acrh/7541experienceFabre (Daniel)autobiographyappearancesdetoursymbolic |
| spellingShingle | Christian Jouhaud Le détour par soi L'Atelier du CRH experience Fabre (Daniel) autobiography appearances detour symbolic |
| title | Le détour par soi |
| title_full | Le détour par soi |
| title_fullStr | Le détour par soi |
| title_full_unstemmed | Le détour par soi |
| title_short | Le détour par soi |
| title_sort | le detour par soi |
| topic | experience Fabre (Daniel) autobiography appearances detour symbolic |
| url | https://journals.openedition.org/acrh/7541 |
| work_keys_str_mv | AT christianjouhaud ledetourparsoi |