Secularist Humanism, Law and Religion in Ian McEwan’s <i>The Children Act</i>

Ian McEwan’s <i>The Children Act</i> focuses on a real-life conflict between religion and children’s rights in a pluralist society. By drawing on Charles Taylor’s work on religion in the “secular age”, I argue that McEwan’s narrative is ultimately built on secularist assumptions that dev...

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Main Author: Camil Ungureanu
Format: Article
Language:English
Published: MDPI AG 2021-06-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/12/7/468
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author Camil Ungureanu
author_facet Camil Ungureanu
author_sort Camil Ungureanu
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description Ian McEwan’s <i>The Children Act</i> focuses on a real-life conflict between religion and children’s rights in a pluralist society. By drawing on Charles Taylor’s work on religion in the “secular age”, I argue that McEwan’s narrative is ultimately built on secularist assumptions that devalue religious experience. McEwan’s approach aims to build a bridge between literary imagination and scientific rationality: religion is, from this perspective, reducible to a “fable” and an authority structure incongruous with legal rationality and the quest for meaning in the modern-secular society. In <i>The Children Act</i>, art substitutes religion and its aspiration to transcendence: music in particular is a universal idiom that can overcome barriers of communication and provides “ecstatic” experiences in a godless world.
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spelling doaj.art-5b2158948356415fbc3d8f5bd831435f2023-11-22T01:43:13ZengMDPI AGReligions2077-14442021-06-0112746810.3390/rel12070468Secularist Humanism, Law and Religion in Ian McEwan’s <i>The Children Act</i>Camil Ungureanu0Department of Political and Social Sciences, Universitat Pompeu Fabra, Ramon Trias Fargas, 25-27, 08005 Barcelona, SpainIan McEwan’s <i>The Children Act</i> focuses on a real-life conflict between religion and children’s rights in a pluralist society. By drawing on Charles Taylor’s work on religion in the “secular age”, I argue that McEwan’s narrative is ultimately built on secularist assumptions that devalue religious experience. McEwan’s approach aims to build a bridge between literary imagination and scientific rationality: religion is, from this perspective, reducible to a “fable” and an authority structure incongruous with legal rationality and the quest for meaning in the modern-secular society. In <i>The Children Act</i>, art substitutes religion and its aspiration to transcendence: music in particular is a universal idiom that can overcome barriers of communication and provides “ecstatic” experiences in a godless world.https://www.mdpi.com/2077-1444/12/7/468religionlawsecularist humanismCharles Taylorimmanent frameJehovah’s Witnesses
spellingShingle Camil Ungureanu
Secularist Humanism, Law and Religion in Ian McEwan’s <i>The Children Act</i>
Religions
religion
law
secularist humanism
Charles Taylor
immanent frame
Jehovah’s Witnesses
title Secularist Humanism, Law and Religion in Ian McEwan’s <i>The Children Act</i>
title_full Secularist Humanism, Law and Religion in Ian McEwan’s <i>The Children Act</i>
title_fullStr Secularist Humanism, Law and Religion in Ian McEwan’s <i>The Children Act</i>
title_full_unstemmed Secularist Humanism, Law and Religion in Ian McEwan’s <i>The Children Act</i>
title_short Secularist Humanism, Law and Religion in Ian McEwan’s <i>The Children Act</i>
title_sort secularist humanism law and religion in ian mcewan s i the children act i
topic religion
law
secularist humanism
Charles Taylor
immanent frame
Jehovah’s Witnesses
url https://www.mdpi.com/2077-1444/12/7/468
work_keys_str_mv AT camilungureanu secularisthumanismlawandreligioninianmcewansithechildrenacti