PIANO TRIO IN THE COMPOSERS’ CREATION OF THE REPUBLIC OF MOLDOVA: HISTORICAL AND THEORETICAL ASPECTS
The chamber-instrumental ensemble is one of the oldest types of instrumental ensembles in music art, having a rich history. It is vividly represented in the composers’ creative work of different epochs, national schools and styles, ranging from European baroque to modern music. Regarding the whole v...
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| Format: | Article |
| Language: | deu |
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Notograf Prim
2023-04-01
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| Series: | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
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| Online Access: | https://revista.amtap.md/wp-content/files_mf/168172082413.Plescan_Trioul_cu_pian.pdf |
| _version_ | 1827965056263913472 |
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| author | PLEȘCAN, IRINA |
| author_facet | PLEȘCAN, IRINA |
| author_sort | PLEȘCAN, IRINA |
| collection | DOAJ |
| description | The chamber-instrumental ensemble is one of the oldest types of instrumental ensembles in music art, having a rich history. It is vividly represented in the composers’ creative work of different epochs, national schools and styles, ranging from European baroque to modern music. Regarding the whole variety of instrumental compositions in chamber music, the piano
chamber-instrumental ensemble occupies the first place, thus, one of the most popular genres of chamber-instrumental ensemble can be considered the piano trio genre. In the present article, the evolution of Moldovan chamber instrumental music in the context of the formation of the Moldovan school of composition is studied. Also is given a brief review of musicological, methodological and reference literature, to some extent affecting the investigating issues of musical art. The methodological basis of the present article was the works written by the Moldovan musicologists of the Soviet period (A. Abramovici, S. Lobel, L. Axionova, I. Miliutina, E. Cletinici, etc.), works that appeared during the last three decades (E. Mironenco, I.Ciobanu-Suhomlin, S.Ţircunova, N. Cozlova, A.Lapicus, Iu. Mahovici, N. Chiciuc), as well as the works of young scientists who study the performance aspects of the piano trio written by the Moldovan composers (N. Costicova, N. Djalilova). |
| first_indexed | 2024-04-09T17:27:01Z |
| format | Article |
| id | doaj.art-5b9e5c22489342d9a88a54bdd061bcf9 |
| institution | Directory Open Access Journal |
| issn | 2345-1408 2345-1831 |
| language | deu |
| last_indexed | 2024-04-09T17:27:01Z |
| publishDate | 2023-04-01 |
| publisher | Notograf Prim |
| record_format | Article |
| series | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
| spelling | doaj.art-5b9e5c22489342d9a88a54bdd061bcf92023-04-18T11:07:25ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312023-04-012 (43)7883PIANO TRIO IN THE COMPOSERS’ CREATION OF THE REPUBLIC OF MOLDOVA: HISTORICAL AND THEORETICAL ASPECTSPLEȘCAN, IRINA0https://orcid.org/0000-0001-5255-7394Academy of Music, Theater and Fine ArtsThe chamber-instrumental ensemble is one of the oldest types of instrumental ensembles in music art, having a rich history. It is vividly represented in the composers’ creative work of different epochs, national schools and styles, ranging from European baroque to modern music. Regarding the whole variety of instrumental compositions in chamber music, the piano chamber-instrumental ensemble occupies the first place, thus, one of the most popular genres of chamber-instrumental ensemble can be considered the piano trio genre. In the present article, the evolution of Moldovan chamber instrumental music in the context of the formation of the Moldovan school of composition is studied. Also is given a brief review of musicological, methodological and reference literature, to some extent affecting the investigating issues of musical art. The methodological basis of the present article was the works written by the Moldovan musicologists of the Soviet period (A. Abramovici, S. Lobel, L. Axionova, I. Miliutina, E. Cletinici, etc.), works that appeared during the last three decades (E. Mironenco, I.Ciobanu-Suhomlin, S.Ţircunova, N. Cozlova, A.Lapicus, Iu. Mahovici, N. Chiciuc), as well as the works of young scientists who study the performance aspects of the piano trio written by the Moldovan composers (N. Costicova, N. Djalilova).https://revista.amtap.md/wp-content/files_mf/168172082413.Plescan_Trioul_cu_pian.pdfpiano triochamber-instrumental ensemblecomposers’ creation of the republic of moldova |
| spellingShingle | PLEȘCAN, IRINA PIANO TRIO IN THE COMPOSERS’ CREATION OF THE REPUBLIC OF MOLDOVA: HISTORICAL AND THEORETICAL ASPECTS Studiul Artelor şi Culturologie: Istorie, Teorie, Practică piano trio chamber-instrumental ensemble composers’ creation of the republic of moldova |
| title | PIANO TRIO IN THE COMPOSERS’ CREATION OF THE REPUBLIC OF MOLDOVA: HISTORICAL AND THEORETICAL ASPECTS |
| title_full | PIANO TRIO IN THE COMPOSERS’ CREATION OF THE REPUBLIC OF MOLDOVA: HISTORICAL AND THEORETICAL ASPECTS |
| title_fullStr | PIANO TRIO IN THE COMPOSERS’ CREATION OF THE REPUBLIC OF MOLDOVA: HISTORICAL AND THEORETICAL ASPECTS |
| title_full_unstemmed | PIANO TRIO IN THE COMPOSERS’ CREATION OF THE REPUBLIC OF MOLDOVA: HISTORICAL AND THEORETICAL ASPECTS |
| title_short | PIANO TRIO IN THE COMPOSERS’ CREATION OF THE REPUBLIC OF MOLDOVA: HISTORICAL AND THEORETICAL ASPECTS |
| title_sort | piano trio in the composers creation of the republic of moldova historical and theoretical aspects |
| topic | piano trio chamber-instrumental ensemble composers’ creation of the republic of moldova |
| url | https://revista.amtap.md/wp-content/files_mf/168172082413.Plescan_Trioul_cu_pian.pdf |
| work_keys_str_mv | AT plescanirina pianotriointhecomposerscreationoftherepublicofmoldovahistoricalandtheoreticalaspects |