Ritual form and mythologization of death in Wole Soyinka’s ‘Procession’
Critics make a large claim that Wole Soyinka mythologizes death and deploys ritual form in his dramatic works but hardly account for the same in this light regarding his poetry, especially "Procession", a sequence which bears so many marks of this style. Critics of "Procession" d...
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| Format: | Article |
| Language: | Afrikaans |
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Tydskrif vir Letterkunde Association
2017-03-01
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| Series: | Tydskrif vir Letterkunde |
| Subjects: | |
| Online Access: | https://journals.assaf.org.za/index.php/tvl/article/view/1933 |
| _version_ | 1828771711747620864 |
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| author | Olufemi Ibukun Dunmande |
| author_facet | Olufemi Ibukun Dunmande |
| author_sort | Olufemi Ibukun Dunmande |
| collection | DOAJ |
| description | Critics make a large claim that Wole Soyinka mythologizes death and deploys ritual form in his dramatic works but hardly account for the same in this light regarding his poetry, especially "Procession", a sequence which bears so many marks of this style. Critics of "Procession" discount a lot from its richness in mythological and ritual forms but focus more on its topical, social and political nature. The trend in the criticism of the sequence is obviously informed by the historical and political context of the sequence and its inclusion in A Shuttle in the Crypt (1972), a collection on Soyinka's prison experience. This approach to "Procession" detracts from the art in the sequence, fails to appreciate fully the poetry's formal properties and so the poetry requires a close reading. Formalism is applied to study the poem and the study stresses the analysis of the work as a self-sufficient verbal entity, constituted by internal relations and independent of reference either to the state of mind of Soyinka or the actualities of the "external" world. The approach highlights in a fresh manner the elements which the earlier criticism the poetry stresses to reveal Soyinka's mythologization of death and preoccupation with ritual forms in "Procession". The study reveals that Soyinka is not just preoccupied with political imprison- ment and judicial death but mythologizes the experience and treats rites de passage. It shows further the breadth with which the poet accentuates the esoteric theme through his by deployment of devices such as symbols, the motifs of passage, biblical allusion, pathetic fallacy, pun, incantatory rhythm, paradox, irony and humour. |
| first_indexed | 2024-12-11T14:30:16Z |
| format | Article |
| id | doaj.art-5c378b147c6c4fbb9b7e5bd79129d5e5 |
| institution | Directory Open Access Journal |
| issn | 0041-476X 2309-9070 |
| language | Afrikaans |
| last_indexed | 2024-12-11T14:30:16Z |
| publishDate | 2017-03-01 |
| publisher | Tydskrif vir Letterkunde Association |
| record_format | Article |
| series | Tydskrif vir Letterkunde |
| spelling | doaj.art-5c378b147c6c4fbb9b7e5bd79129d5e52022-12-22T01:02:28ZafrTydskrif vir Letterkunde AssociationTydskrif vir Letterkunde0041-476X2309-90702017-03-0154110.17159/tvl.v.54i1.12Ritual form and mythologization of death in Wole Soyinka’s ‘Procession’Olufemi Ibukun Dunmande0University of Ilorin, NigeiraCritics make a large claim that Wole Soyinka mythologizes death and deploys ritual form in his dramatic works but hardly account for the same in this light regarding his poetry, especially "Procession", a sequence which bears so many marks of this style. Critics of "Procession" discount a lot from its richness in mythological and ritual forms but focus more on its topical, social and political nature. The trend in the criticism of the sequence is obviously informed by the historical and political context of the sequence and its inclusion in A Shuttle in the Crypt (1972), a collection on Soyinka's prison experience. This approach to "Procession" detracts from the art in the sequence, fails to appreciate fully the poetry's formal properties and so the poetry requires a close reading. Formalism is applied to study the poem and the study stresses the analysis of the work as a self-sufficient verbal entity, constituted by internal relations and independent of reference either to the state of mind of Soyinka or the actualities of the "external" world. The approach highlights in a fresh manner the elements which the earlier criticism the poetry stresses to reveal Soyinka's mythologization of death and preoccupation with ritual forms in "Procession". The study reveals that Soyinka is not just preoccupied with political imprison- ment and judicial death but mythologizes the experience and treats rites de passage. It shows further the breadth with which the poet accentuates the esoteric theme through his by deployment of devices such as symbols, the motifs of passage, biblical allusion, pathetic fallacy, pun, incantatory rhythm, paradox, irony and humour.https://journals.assaf.org.za/index.php/tvl/article/view/1933ritualdeathformalismmythologypassage |
| spellingShingle | Olufemi Ibukun Dunmande Ritual form and mythologization of death in Wole Soyinka’s ‘Procession’ Tydskrif vir Letterkunde ritual death formalism mythology passage |
| title | Ritual form and mythologization of death in Wole Soyinka’s ‘Procession’ |
| title_full | Ritual form and mythologization of death in Wole Soyinka’s ‘Procession’ |
| title_fullStr | Ritual form and mythologization of death in Wole Soyinka’s ‘Procession’ |
| title_full_unstemmed | Ritual form and mythologization of death in Wole Soyinka’s ‘Procession’ |
| title_short | Ritual form and mythologization of death in Wole Soyinka’s ‘Procession’ |
| title_sort | ritual form and mythologization of death in wole soyinka s procession |
| topic | ritual death formalism mythology passage |
| url | https://journals.assaf.org.za/index.php/tvl/article/view/1933 |
| work_keys_str_mv | AT olufemiibukundunmande ritualformandmythologizationofdeathinwolesoyinkasprocession |