Reality and Paternity in the Cinema of the Dardennes

The Dardenne brothers’ filmic production aims at restoring the missing link between human beings and the world that has been progressively undermined during the ultimate development of late-capitalist society. This contribution deals with their search for a new contact with reality and a concrete be...

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Main Author: Isabella Guanzini
Format: Article
Language:English
Published: Karl Franzens Universität Graz 2016-11-01
Series:Journal for Religion, Film and Media
Subjects:
Online Access:http://unipub.uni-graz.at/jrfm/periodical/pageview/1679234
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author Isabella Guanzini
author_facet Isabella Guanzini
author_sort Isabella Guanzini
collection DOAJ
description The Dardenne brothers’ filmic production aims at restoring the missing link between human beings and the world that has been progressively undermined during the ultimate development of late-capitalist society. This contribution deals with their search for a new contact with reality and a concrete belief in the world, focusing on the theme of body and paternity, in the epoch of their evaporation. However, in or¬der to rethink the paternal function in a post-political and post-ideological age, the Dardennes have had to radically come to terms with its ambiguity and oscillation be¬tween abandon and adoption, self-preservation and transmission, forgiveness and revenge. With regard to this ambivalence, this contribution focuses on two films by the Dardennes, La promesse (The Promise, BE/FR/LU/TN 1996) and Le fils (The Son, BE/FR 2002), which represent significant descriptions of what (the body of) a father is capable of, suggesting, at the same time, interruption and filiation as possible experi¬ences for a new beginning.
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spelling doaj.art-5c5a5595cd934f33a670ee09fcdbe7a92022-12-21T21:52:19ZengKarl Franzens Universität GrazJournal for Religion, Film and Media2414-02012414-02012016-11-01221532Reality and Paternity in the Cinema of the DardennesIsabella GuanziniThe Dardenne brothers’ filmic production aims at restoring the missing link between human beings and the world that has been progressively undermined during the ultimate development of late-capitalist society. This contribution deals with their search for a new contact with reality and a concrete belief in the world, focusing on the theme of body and paternity, in the epoch of their evaporation. However, in or¬der to rethink the paternal function in a post-political and post-ideological age, the Dardennes have had to radically come to terms with its ambiguity and oscillation be¬tween abandon and adoption, self-preservation and transmission, forgiveness and revenge. With regard to this ambivalence, this contribution focuses on two films by the Dardennes, La promesse (The Promise, BE/FR/LU/TN 1996) and Le fils (The Son, BE/FR 2002), which represent significant descriptions of what (the body of) a father is capable of, suggesting, at the same time, interruption and filiation as possible experi¬ences for a new beginning.http://unipub.uni-graz.at/jrfm/periodical/pageview/1679234Dardennesbeliefimmanencepaternal functioninterruption
spellingShingle Isabella Guanzini
Reality and Paternity in the Cinema of the Dardennes
Journal for Religion, Film and Media
Dardennes
belief
immanence
paternal function
interruption
title Reality and Paternity in the Cinema of the Dardennes
title_full Reality and Paternity in the Cinema of the Dardennes
title_fullStr Reality and Paternity in the Cinema of the Dardennes
title_full_unstemmed Reality and Paternity in the Cinema of the Dardennes
title_short Reality and Paternity in the Cinema of the Dardennes
title_sort reality and paternity in the cinema of the dardennes
topic Dardennes
belief
immanence
paternal function
interruption
url http://unipub.uni-graz.at/jrfm/periodical/pageview/1679234
work_keys_str_mv AT isabellaguanzini realityandpaternityinthecinemaofthedardennes