Il ‘fuoco giorgionesco’ da Angelo Conti a d’Annunzio

The friendship between Gabriele d’Annunzio and Angelo Conti is particularly intense in the years 1894-1900, in the context of Venice. Both of them reflect about Venetian painters and especially Giorgione, whose picture they interpret as an expression of Venetian magnificent life. I analyze the me...

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Main Author: Ricorda, Ricciarda
Format: Article
Language:Italian
Published: Fondazione Università Ca’ Foscari 2015-10-01
Series:Archivio d’Annunzio
Subjects:
Online Access:http://doi.org/10.14277/2421-292X/AdA-2-15-9
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author Ricorda, Ricciarda
author_facet Ricorda, Ricciarda
author_sort Ricorda, Ricciarda
collection DOAJ
description The friendship between Gabriele d’Annunzio and Angelo Conti is particularly intense in the years 1894-1900, in the context of Venice. Both of them reflect about Venetian painters and especially Giorgione, whose picture they interpret as an expression of Venetian magnificent life. I analyze the meaning of the form  fuoco giorgionesco, also used by Walter Pater in his well-known essay The School of Giorgione. I examine in particular Conti’s references to this text, in order to verify their accuracy. I put forward the hypothesis that, when Conti wrote the monograph Giorgione, his knowledge of the English author was incomplete and came largely from articles published in magazines, from conversations with friends, and from the translation into Italian of only short extracts. I argue that it was unlikely that Conti (and d’Annunzio) had read Pater’s whole work in English, which at the time was little known in Italy.
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spelling doaj.art-5c9263a1f78e49d0a786a2fa23fb81d22023-10-30T08:20:28ZitaFondazione Università Ca’ FoscariArchivio d’Annunzio2421-292X2015-10-012110.14277/2421-292X/AdA-2-15-9journal_article_190Il ‘fuoco giorgionesco’ da Angelo Conti a d’AnnunzioRicorda, Ricciarda0Università Ca’ Foscari Venezia, Italia The friendship between Gabriele d’Annunzio and Angelo Conti is particularly intense in the years 1894-1900, in the context of Venice. Both of them reflect about Venetian painters and especially Giorgione, whose picture they interpret as an expression of Venetian magnificent life. I analyze the meaning of the form  fuoco giorgionesco, also used by Walter Pater in his well-known essay The School of Giorgione. I examine in particular Conti’s references to this text, in order to verify their accuracy. I put forward the hypothesis that, when Conti wrote the monograph Giorgione, his knowledge of the English author was incomplete and came largely from articles published in magazines, from conversations with friends, and from the translation into Italian of only short extracts. I argue that it was unlikely that Conti (and d’Annunzio) had read Pater’s whole work in English, which at the time was little known in Italy. http://doi.org/10.14277/2421-292X/AdA-2-15-9Conti. Giorgione. Pater
spellingShingle Ricorda, Ricciarda
Il ‘fuoco giorgionesco’ da Angelo Conti a d’Annunzio
Archivio d’Annunzio
Conti. Giorgione. Pater
title Il ‘fuoco giorgionesco’ da Angelo Conti a d’Annunzio
title_full Il ‘fuoco giorgionesco’ da Angelo Conti a d’Annunzio
title_fullStr Il ‘fuoco giorgionesco’ da Angelo Conti a d’Annunzio
title_full_unstemmed Il ‘fuoco giorgionesco’ da Angelo Conti a d’Annunzio
title_short Il ‘fuoco giorgionesco’ da Angelo Conti a d’Annunzio
title_sort il fuoco giorgionesco da angelo conti a d annunzio
topic Conti. Giorgione. Pater
url http://doi.org/10.14277/2421-292X/AdA-2-15-9
work_keys_str_mv AT ricordaricciarda ilfuocogiorgionescodaangelocontiadannunzio