The Russian Revolution, Russian Captivity, and Return to the Motherland in the Autobiographical Novels of Rodion Markovits
For the first time in the Russian language, this article explores two novels by Hungarian writer Rodion Markovits Siberian Garrison and Gold Train, underlining the elements in their plot that illustrate the attitude towards the Russian events of the post-revolutionary period and the Russian people i...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Russian |
| Published: |
Ural Federal University Press
2017-10-01
|
| Series: | Известия Уральского федерального университета. Серия 2: Гуманитарные науки |
| Subjects: | |
| Online Access: | https://journals.urfu.ru/index.php/Izvestia2/article/view/2617 |
| _version_ | 1818081542216351744 |
|---|---|
| author | Erzsébet Schiller |
| author_facet | Erzsébet Schiller |
| author_sort | Erzsébet Schiller |
| collection | DOAJ |
| description | For the first time in the Russian language, this article explores two novels by Hungarian writer Rodion Markovits Siberian Garrison and Gold Train, underlining the elements in their plot that illustrate the attitude towards the Russian events of the post-revolutionary period and the Russian people in the vortex of revolutionary changes. The first of these novels, Siberian Garrison (1927), caused a huge uproar when it was first published, being one of the earliest European artistic texts about Russian captivity and post-revolutionary Russia in general. It describes the path of prisoners of war across the country right to the Far East, as well as the routine of two-year captivity. The novel Gold Train (1929) tells of the period after the Brest Peace, the return of Austro-Hungarian soldiers to their homeland through Russia seized by revolution. In addition to observations concerning the perception of Russian culture, history, and human psychology by a Hungarian character, the article contains conclusions about the special historical and psychological reliability of auto-documentary artistic texts, which are the novels by Rodion Markovits, the writer that came up with a new genre of the collective report novel. |
| first_indexed | 2024-12-10T19:07:51Z |
| format | Article |
| id | doaj.art-5cb35eb9e2c74f66886abbfae4fb92af |
| institution | Directory Open Access Journal |
| issn | 2227-2283 2587-6929 |
| language | Russian |
| last_indexed | 2024-12-10T19:07:51Z |
| publishDate | 2017-10-01 |
| publisher | Ural Federal University Press |
| record_format | Article |
| series | Известия Уральского федерального университета. Серия 2: Гуманитарные науки |
| spelling | doaj.art-5cb35eb9e2c74f66886abbfae4fb92af2022-12-22T01:36:51ZrusUral Federal University PressИзвестия Уральского федерального университета. Серия 2: Гуманитарные науки2227-22832587-69292017-10-01193(166)16417310.15826/izv2.2017.19.3.0502263The Russian Revolution, Russian Captivity, and Return to the Motherland in the Autobiographical Novels of Rodion MarkovitsErzsébet Schiller0Университет им. Лоранда Этвеша, Филологический центр, г. СомбатхейFor the first time in the Russian language, this article explores two novels by Hungarian writer Rodion Markovits Siberian Garrison and Gold Train, underlining the elements in their plot that illustrate the attitude towards the Russian events of the post-revolutionary period and the Russian people in the vortex of revolutionary changes. The first of these novels, Siberian Garrison (1927), caused a huge uproar when it was first published, being one of the earliest European artistic texts about Russian captivity and post-revolutionary Russia in general. It describes the path of prisoners of war across the country right to the Far East, as well as the routine of two-year captivity. The novel Gold Train (1929) tells of the period after the Brest Peace, the return of Austro-Hungarian soldiers to their homeland through Russia seized by revolution. In addition to observations concerning the perception of Russian culture, history, and human psychology by a Hungarian character, the article contains conclusions about the special historical and psychological reliability of auto-documentary artistic texts, which are the novels by Rodion Markovits, the writer that came up with a new genre of the collective report novel.https://journals.urfu.ru/index.php/Izvestia2/article/view/2617Родион Марковичвенгерские военнопленныеПервая мировая войнагражданская война в Россииавтодокументальная проза. |
| spellingShingle | Erzsébet Schiller The Russian Revolution, Russian Captivity, and Return to the Motherland in the Autobiographical Novels of Rodion Markovits Известия Уральского федерального университета. Серия 2: Гуманитарные науки Родион Маркович венгерские военнопленные Первая мировая война гражданская война в России автодокументальная проза. |
| title | The Russian Revolution, Russian Captivity, and Return to the Motherland in the Autobiographical Novels of Rodion Markovits |
| title_full | The Russian Revolution, Russian Captivity, and Return to the Motherland in the Autobiographical Novels of Rodion Markovits |
| title_fullStr | The Russian Revolution, Russian Captivity, and Return to the Motherland in the Autobiographical Novels of Rodion Markovits |
| title_full_unstemmed | The Russian Revolution, Russian Captivity, and Return to the Motherland in the Autobiographical Novels of Rodion Markovits |
| title_short | The Russian Revolution, Russian Captivity, and Return to the Motherland in the Autobiographical Novels of Rodion Markovits |
| title_sort | russian revolution russian captivity and return to the motherland in the autobiographical novels of rodion markovits |
| topic | Родион Маркович венгерские военнопленные Первая мировая война гражданская война в России автодокументальная проза. |
| url | https://journals.urfu.ru/index.php/Izvestia2/article/view/2617 |
| work_keys_str_mv | AT erzsebetschiller therussianrevolutionrussiancaptivityandreturntothemotherlandintheautobiographicalnovelsofrodionmarkovits AT erzsebetschiller russianrevolutionrussiancaptivityandreturntothemotherlandintheautobiographicalnovelsofrodionmarkovits |