Le poesie della rivoluzione egiziana e la loro riproduzione come testi multimodali in YouTube: <em>al-Midàn</em> (La Piazza) di Abd al-Rahmàn al-Abnudi
The article investigates Abd al-Rahmàn al-Abnudi’s al-Midàn (The Square), the celebrated poem in colloquial Egyptian Arabic dedicated to the Egyptian young people who occupied the central Midàn al-Tahrìr (Tahrìr Square or Liberation Square) in Cairo on 25th January 2011 paving the way for the revolu...
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Format: | Article |
Language: | English |
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Firenze University Press
2013-03-01
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Series: | Lea |
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Online Access: | https://oajournals.fupress.net/index.php/bsfm-lea/article/view/7886 |
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author | Lorenzo Casini |
author_facet | Lorenzo Casini |
author_sort | Lorenzo Casini |
collection | DOAJ |
description | The article investigates Abd al-Rahmàn al-Abnudi’s al-Midàn (The Square), the celebrated poem in colloquial Egyptian Arabic dedicated to the Egyptian young people who occupied the central Midàn al-Tahrìr (Tahrìr Square or Liberation Square) in Cairo on 25th January 2011 paving the way for the revolution. The poem, written during the very first days of the uprising, is analyzed in the context of the major transformations in the Egyptian literary field during the decade 2001-2011. In this period the state’s cultural institutions lost much of their traditional power to exert authority over the contents of literary production and its circulation among the reading public. One of the most outstanding features of these transformations, is represented by the role of internet as a means of circulation and reception of literary texts, especially by means of blogs and YouTube. The article considers several versions of al-Midàn uploaded on YouTube and highlights the process by which the poem was transformed by each user into a (re) newed multimodal text, where different semiotic resources interact: the reading of the poem, the video images, and (if present) the soundtrack. These videos were viewed and commented on by hundreds of thousands of YouTube users in the weeks following the writing of the poem and have made a decisive contribution to the shaping of the revolution’s collective imaginary. |
first_indexed | 2024-04-12T08:33:55Z |
format | Article |
id | doaj.art-5cb95aeaa9f4443da793697f34995824 |
institution | Directory Open Access Journal |
issn | 1824-484X |
language | English |
last_indexed | 2024-04-12T08:33:55Z |
publishDate | 2013-03-01 |
publisher | Firenze University Press |
record_format | Article |
series | Lea |
spelling | doaj.art-5cb95aeaa9f4443da793697f349958242022-12-22T03:40:03ZengFirenze University PressLea1824-484X2013-03-01110.13128/LEA-1824-484x-1247710919Le poesie della rivoluzione egiziana e la loro riproduzione come testi multimodali in YouTube: <em>al-Midàn</em> (La Piazza) di Abd al-Rahmàn al-AbnudiLorenzo CasiniThe article investigates Abd al-Rahmàn al-Abnudi’s al-Midàn (The Square), the celebrated poem in colloquial Egyptian Arabic dedicated to the Egyptian young people who occupied the central Midàn al-Tahrìr (Tahrìr Square or Liberation Square) in Cairo on 25th January 2011 paving the way for the revolution. The poem, written during the very first days of the uprising, is analyzed in the context of the major transformations in the Egyptian literary field during the decade 2001-2011. In this period the state’s cultural institutions lost much of their traditional power to exert authority over the contents of literary production and its circulation among the reading public. One of the most outstanding features of these transformations, is represented by the role of internet as a means of circulation and reception of literary texts, especially by means of blogs and YouTube. The article considers several versions of al-Midàn uploaded on YouTube and highlights the process by which the poem was transformed by each user into a (re) newed multimodal text, where different semiotic resources interact: the reading of the poem, the video images, and (if present) the soundtrack. These videos were viewed and commented on by hundreds of thousands of YouTube users in the weeks following the writing of the poem and have made a decisive contribution to the shaping of the revolution’s collective imaginary.https://oajournals.fupress.net/index.php/bsfm-lea/article/view/7886Arab Revolutionscolloquial Egyptian poetryal-MidànYouTube |
spellingShingle | Lorenzo Casini Le poesie della rivoluzione egiziana e la loro riproduzione come testi multimodali in YouTube: <em>al-Midàn</em> (La Piazza) di Abd al-Rahmàn al-Abnudi Lea Arab Revolutions colloquial Egyptian poetry al-Midàn YouTube |
title | Le poesie della rivoluzione egiziana e la loro riproduzione come testi multimodali in YouTube: <em>al-Midàn</em> (La Piazza) di Abd al-Rahmàn al-Abnudi |
title_full | Le poesie della rivoluzione egiziana e la loro riproduzione come testi multimodali in YouTube: <em>al-Midàn</em> (La Piazza) di Abd al-Rahmàn al-Abnudi |
title_fullStr | Le poesie della rivoluzione egiziana e la loro riproduzione come testi multimodali in YouTube: <em>al-Midàn</em> (La Piazza) di Abd al-Rahmàn al-Abnudi |
title_full_unstemmed | Le poesie della rivoluzione egiziana e la loro riproduzione come testi multimodali in YouTube: <em>al-Midàn</em> (La Piazza) di Abd al-Rahmàn al-Abnudi |
title_short | Le poesie della rivoluzione egiziana e la loro riproduzione come testi multimodali in YouTube: <em>al-Midàn</em> (La Piazza) di Abd al-Rahmàn al-Abnudi |
title_sort | le poesie della rivoluzione egiziana e la loro riproduzione come testi multimodali in youtube em al midan em la piazza di abd al rahman al abnudi |
topic | Arab Revolutions colloquial Egyptian poetry al-Midàn YouTube |
url | https://oajournals.fupress.net/index.php/bsfm-lea/article/view/7886 |
work_keys_str_mv | AT lorenzocasini lepoesiedellarivoluzioneegizianaelalororiproduzionecometestimultimodaliinyoutubeemalmidanemlapiazzadiabdalrahmanalabnudi |