THE ROLE OF FREUDENREICH'S "BORDERMEN" WITHIN THE HISTORICAL FRAMEWORK OF THE FOLK DRAMA
The authoress points out principial characteristics of melodrama, using the example of Freudenreich's "Bordermen", basing her observations on S. D. Baluhati's theoretical insights. Besides, the argumentation leads to the conclusion that Josip Freudenreich abandoned the basic type...
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| Format: | Article |
| Language: | Bulgarian |
| Published: |
University of Rijeka. Faculty of Humanities and Social Sciences
1994-01-01
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| Series: | Fluminensia: Journal for Philological Research |
| Subjects: | |
| Online Access: | http://hrcak.srce.hr/file/195281 |
| _version_ | 1819228843589763072 |
|---|---|
| author | Adriana Car-Mihec |
| author_facet | Adriana Car-Mihec |
| author_sort | Adriana Car-Mihec |
| collection | DOAJ |
| description | The authoress points out principial characteristics of melodrama, using the example of Freudenreich's "Bordermen", basing her observations on S. D. Baluhati's theoretical insights. Besides, the argumentation leads to the conclusion that Josip Freudenreich abandoned the basic type of melodrama and transformed it into a new theatrical genre, innovatively in Crotaian literature. "Bordermen" is undoubtedly our first and best folk drama, outstanding in its genre. |
| first_indexed | 2024-12-23T11:03:43Z |
| format | Article |
| id | doaj.art-5cbdcd6ff51e47ca850e380e14134fa6 |
| institution | Directory Open Access Journal |
| issn | 0353-4642 1848-9680 |
| language | Bulgarian |
| last_indexed | 2024-12-23T11:03:43Z |
| publishDate | 1994-01-01 |
| publisher | University of Rijeka. Faculty of Humanities and Social Sciences |
| record_format | Article |
| series | Fluminensia: Journal for Philological Research |
| spelling | doaj.art-5cbdcd6ff51e47ca850e380e14134fa62022-12-21T17:49:32ZbulUniversity of Rijeka. Faculty of Humanities and Social SciencesFluminensia: Journal for Philological Research0353-46421848-96801994-01-0161-2151151THE ROLE OF FREUDENREICH'S "BORDERMEN" WITHIN THE HISTORICAL FRAMEWORK OF THE FOLK DRAMAAdriana Car-MihecThe authoress points out principial characteristics of melodrama, using the example of Freudenreich's "Bordermen", basing her observations on S. D. Baluhati's theoretical insights. Besides, the argumentation leads to the conclusion that Josip Freudenreich abandoned the basic type of melodrama and transformed it into a new theatrical genre, innovatively in Crotaian literature. "Bordermen" is undoubtedly our first and best folk drama, outstanding in its genre.http://hrcak.srce.hr/file/195281theatrical genremelodramaJosip FreudenreichGraničari |
| spellingShingle | Adriana Car-Mihec THE ROLE OF FREUDENREICH'S "BORDERMEN" WITHIN THE HISTORICAL FRAMEWORK OF THE FOLK DRAMA Fluminensia: Journal for Philological Research theatrical genre melodrama Josip Freudenreich Graničari |
| title | THE ROLE OF FREUDENREICH'S "BORDERMEN" WITHIN THE HISTORICAL FRAMEWORK OF THE FOLK DRAMA |
| title_full | THE ROLE OF FREUDENREICH'S "BORDERMEN" WITHIN THE HISTORICAL FRAMEWORK OF THE FOLK DRAMA |
| title_fullStr | THE ROLE OF FREUDENREICH'S "BORDERMEN" WITHIN THE HISTORICAL FRAMEWORK OF THE FOLK DRAMA |
| title_full_unstemmed | THE ROLE OF FREUDENREICH'S "BORDERMEN" WITHIN THE HISTORICAL FRAMEWORK OF THE FOLK DRAMA |
| title_short | THE ROLE OF FREUDENREICH'S "BORDERMEN" WITHIN THE HISTORICAL FRAMEWORK OF THE FOLK DRAMA |
| title_sort | role of freudenreich s bordermen within the historical framework of the folk drama |
| topic | theatrical genre melodrama Josip Freudenreich Graničari |
| url | http://hrcak.srce.hr/file/195281 |
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