Rock vs cocktails Molotov : la violence politique pendant les concerts dans l’Italie de la fin des années 1970
In Italy at the end of the seventies, many artists are questioned on stage, in violent forms which range from invective to political trial, including shooting, throwing stones or even Molotov cocktails. We herein propose a study of rock facing this political violence context: when there is violence...
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Format: | Article |
Language: | English |
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Criminocorpus
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Series: | Criminocorpus |
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Online Access: | https://journals.openedition.org/criminocorpus/6154 |
_version_ | 1797308203463081984 |
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author | Céline Pruvost |
author_facet | Céline Pruvost |
author_sort | Céline Pruvost |
collection | DOAJ |
description | In Italy at the end of the seventies, many artists are questioned on stage, in violent forms which range from invective to political trial, including shooting, throwing stones or even Molotov cocktails. We herein propose a study of rock facing this political violence context: when there is violence from part of the public towards the artists, what is the impact on concerts and on works? After presenting the Italian context features, we describe the violence which affected international rock stars during their concerts in Italy. We then show how this political violence had an unexpected practical and esthetic consequences, far beyond rock, strongly impacting the field of Italian song. |
first_indexed | 2024-03-08T01:08:17Z |
format | Article |
id | doaj.art-5cf33b65b4d641de9a265f069068544b |
institution | Directory Open Access Journal |
issn | 2108-6907 |
language | English |
last_indexed | 2024-03-08T01:08:17Z |
publisher | Criminocorpus |
record_format | Article |
series | Criminocorpus |
spelling | doaj.art-5cf33b65b4d641de9a265f069068544b2024-02-14T16:25:59ZengCriminocorpusCriminocorpus2108-69071110.4000/criminocorpus.6154Rock vs cocktails Molotov : la violence politique pendant les concerts dans l’Italie de la fin des années 1970Céline PruvostIn Italy at the end of the seventies, many artists are questioned on stage, in violent forms which range from invective to political trial, including shooting, throwing stones or even Molotov cocktails. We herein propose a study of rock facing this political violence context: when there is violence from part of the public towards the artists, what is the impact on concerts and on works? After presenting the Italian context features, we describe the violence which affected international rock stars during their concerts in Italy. We then show how this political violence had an unexpected practical and esthetic consequences, far beyond rock, strongly impacting the field of Italian song.https://journals.openedition.org/criminocorpus/6154songviolencepoliticsItalyrockseventies |
spellingShingle | Céline Pruvost Rock vs cocktails Molotov : la violence politique pendant les concerts dans l’Italie de la fin des années 1970 Criminocorpus song violence politics Italy rock seventies |
title | Rock vs cocktails Molotov : la violence politique pendant les concerts dans l’Italie de la fin des années 1970 |
title_full | Rock vs cocktails Molotov : la violence politique pendant les concerts dans l’Italie de la fin des années 1970 |
title_fullStr | Rock vs cocktails Molotov : la violence politique pendant les concerts dans l’Italie de la fin des années 1970 |
title_full_unstemmed | Rock vs cocktails Molotov : la violence politique pendant les concerts dans l’Italie de la fin des années 1970 |
title_short | Rock vs cocktails Molotov : la violence politique pendant les concerts dans l’Italie de la fin des années 1970 |
title_sort | rock vs cocktails molotov la violence politique pendant les concerts dans l italie de la fin des annees 1970 |
topic | song violence politics Italy rock seventies |
url | https://journals.openedition.org/criminocorpus/6154 |
work_keys_str_mv | AT celinepruvost rockvscocktailsmolotovlaviolencepolitiquependantlesconcertsdanslitaliedelafindesannees1970 |