Portrait de l’artiste en jeune femme : Wormwood (1890) de Marie Corelli

Unlike her famous gothic romances and her melodramas, Marie Corelli’s Wormwood (1890) hinges upon the fin-de-siècle cultural context. In this novel, Corelli’s main character is an absintheur, and the plot unravels in Paris where decadent artists indulge in drugs. France then becomes an apt screen on...

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Main Author: Laurence Talairach-Vielmas
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2006-12-01
Series:Cahiers Victoriens et Edouardiens
Online Access:http://journals.openedition.org/cve/13556
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author Laurence Talairach-Vielmas
author_facet Laurence Talairach-Vielmas
author_sort Laurence Talairach-Vielmas
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description Unlike her famous gothic romances and her melodramas, Marie Corelli’s Wormwood (1890) hinges upon the fin-de-siècle cultural context. In this novel, Corelli’s main character is an absintheur, and the plot unravels in Paris where decadent artists indulge in drugs. France then becomes an apt screen on which to project fin-de-siècle anxieties and to denounce immorality. This time, Corelli’s moralizing vignettes are two-fold. She uses absinth to criticize degeneration both in society and in art, denouncing naturalism — a literary genre known to be written by men for men, thereby suggesting that women can only write domestic novels. Thus Corelli seeks to impose her own voice by dealing with naturalistic issues and by featuring a female artist who refuses drugs and despises decadence. As male and female artists compete throughout the novel, they illustrate the literary debates of the 1880s and 1890s, and show how Corelli manages to handle a literary genre from which women were excluded.
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spelling doaj.art-5d025966867a44409743b510bb8739ea2023-10-03T10:40:12ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492006-12-016310.4000/cve.13556Portrait de l’artiste en jeune femme : Wormwood (1890) de Marie CorelliLaurence Talairach-VielmasUnlike her famous gothic romances and her melodramas, Marie Corelli’s Wormwood (1890) hinges upon the fin-de-siècle cultural context. In this novel, Corelli’s main character is an absintheur, and the plot unravels in Paris where decadent artists indulge in drugs. France then becomes an apt screen on which to project fin-de-siècle anxieties and to denounce immorality. This time, Corelli’s moralizing vignettes are two-fold. She uses absinth to criticize degeneration both in society and in art, denouncing naturalism — a literary genre known to be written by men for men, thereby suggesting that women can only write domestic novels. Thus Corelli seeks to impose her own voice by dealing with naturalistic issues and by featuring a female artist who refuses drugs and despises decadence. As male and female artists compete throughout the novel, they illustrate the literary debates of the 1880s and 1890s, and show how Corelli manages to handle a literary genre from which women were excluded.http://journals.openedition.org/cve/13556
spellingShingle Laurence Talairach-Vielmas
Portrait de l’artiste en jeune femme : Wormwood (1890) de Marie Corelli
Cahiers Victoriens et Edouardiens
title Portrait de l’artiste en jeune femme : Wormwood (1890) de Marie Corelli
title_full Portrait de l’artiste en jeune femme : Wormwood (1890) de Marie Corelli
title_fullStr Portrait de l’artiste en jeune femme : Wormwood (1890) de Marie Corelli
title_full_unstemmed Portrait de l’artiste en jeune femme : Wormwood (1890) de Marie Corelli
title_short Portrait de l’artiste en jeune femme : Wormwood (1890) de Marie Corelli
title_sort portrait de l artiste en jeune femme wormwood 1890 de marie corelli
url http://journals.openedition.org/cve/13556
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