Midas au MEN

As Ovide recounted the story of King Midas in his Metamorphoses, he probably did not doubt that a few centuries later, his narration would serve the purpose of three exhibitions held between 2010 and 2015 at the Museum of Ethnography in Neuchâtel (Switzerland). The rebounding adventures of this fall...

Full description

Bibliographic Details
Main Author: Olivier Schinz
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2017-11-01
Series:In Situ
Subjects:
Online Access:http://journals.openedition.org/insitu/15536
_version_ 1811317203619807232
author Olivier Schinz
author_facet Olivier Schinz
author_sort Olivier Schinz
collection DOAJ
description As Ovide recounted the story of King Midas in his Metamorphoses, he probably did not doubt that a few centuries later, his narration would serve the purpose of three exhibitions held between 2010 and 2015 at the Museum of Ethnography in Neuchâtel (Switzerland). The rebounding adventures of this fallen and unfortunate king offer such a rich structure that they made it possible to question, from three very different angles, some of the impensed of the intangible cultural heritage (ICH). Bruits, Hors-champs and Secrets: three explorations of echoes, shards and opacities of the PCI. Three expographic exercises and three specific experiments describing, presenting, analysing, questioning, or overturning the heritage processes implemented since the creation of the ICH Convention by Unesco and its ratification by the Swiss Confederation.
first_indexed 2024-04-13T12:02:36Z
format Article
id doaj.art-5d432fe6b2b14478b34267c77980302e
institution Directory Open Access Journal
issn 1630-7305
language fra
last_indexed 2024-04-13T12:02:36Z
publishDate 2017-11-01
publisher Ministère de la Culture et de la Communication
record_format Article
series In Situ
spelling doaj.art-5d432fe6b2b14478b34267c77980302e2022-12-22T02:47:44ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052017-11-013310.4000/insitu.15536Midas au MENOlivier SchinzAs Ovide recounted the story of King Midas in his Metamorphoses, he probably did not doubt that a few centuries later, his narration would serve the purpose of three exhibitions held between 2010 and 2015 at the Museum of Ethnography in Neuchâtel (Switzerland). The rebounding adventures of this fallen and unfortunate king offer such a rich structure that they made it possible to question, from three very different angles, some of the impensed of the intangible cultural heritage (ICH). Bruits, Hors-champs and Secrets: three explorations of echoes, shards and opacities of the PCI. Three expographic exercises and three specific experiments describing, presenting, analysing, questioning, or overturning the heritage processes implemented since the creation of the ICH Convention by Unesco and its ratification by the Swiss Confederation.http://journals.openedition.org/insitu/15536Neuchâtel ethnography museumexhibitionintangible cultural heritageMétamorphoses
spellingShingle Olivier Schinz
Midas au MEN
In Situ
Neuchâtel ethnography museum
exhibition
intangible cultural heritage
Métamorphoses
title Midas au MEN
title_full Midas au MEN
title_fullStr Midas au MEN
title_full_unstemmed Midas au MEN
title_short Midas au MEN
title_sort midas au men
topic Neuchâtel ethnography museum
exhibition
intangible cultural heritage
Métamorphoses
url http://journals.openedition.org/insitu/15536
work_keys_str_mv AT olivierschinz midasaumen