Lazarus Rises: Storying the Self in the Migrant Fandom of David Bowie

In this article we focus upon the ways that “migrants” in Melbourne have used David Bowie to story and make sense of their arrival to Australia, often as refugees or as people looking for a better life. In relation to identity and belonging, some recent work on music fandom (Groene and Hettinger 201...

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Main Authors: Toija Cinque, Sean Redmond
Format: Article
Language:English
Published: International Association for the Study of Popular Music 2016-01-01
Series:IASPM Journal
Subjects:
Online Access:https://iaspmjournal.net/index.php/IASPM_Journal/article/view/768/pdf
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author Toija Cinque
Sean Redmond
author_facet Toija Cinque
Sean Redmond
author_sort Toija Cinque
collection DOAJ
description In this article we focus upon the ways that “migrants” in Melbourne have used David Bowie to story and make sense of their arrival to Australia, often as refugees or as people looking for a better life. In relation to identity and belonging, some recent work on music fandom (Groene and Hettinger 2015; Lowe 2003), has imposed a meta-frame on the empirical method, substituting voices for a top-down analysis and interpretation. Our approach is to instead draw both upon auto-ethnography and to allow our fellow fans to “story” their own responses, in an attempt to get beneath the modes of feeling that music fandom ignites – situated within the narratives that people construct as they talk these stories. We argue that Bowie’s alternative and outsider status resonates keenly with people who find themselves “strangers” in a new land.
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spelling doaj.art-5d7df0431cce408085fdfe88aaa01d742022-12-21T22:54:29ZengInternational Association for the Study of Popular MusicIASPM Journal2079-38712079-38712016-01-016172410.5429/2079-3871(2016)v6i1.2enLazarus Rises: Storying the Self in the Migrant Fandom of David BowieToija Cinque0Sean Redmond1Deakin University, AustraliaDeakin University, AustraliaIn this article we focus upon the ways that “migrants” in Melbourne have used David Bowie to story and make sense of their arrival to Australia, often as refugees or as people looking for a better life. In relation to identity and belonging, some recent work on music fandom (Groene and Hettinger 2015; Lowe 2003), has imposed a meta-frame on the empirical method, substituting voices for a top-down analysis and interpretation. Our approach is to instead draw both upon auto-ethnography and to allow our fellow fans to “story” their own responses, in an attempt to get beneath the modes of feeling that music fandom ignites – situated within the narratives that people construct as they talk these stories. We argue that Bowie’s alternative and outsider status resonates keenly with people who find themselves “strangers” in a new land.https://iaspmjournal.net/index.php/IASPM_Journal/article/view/768/pdfdavid bowiepopular musicstardom and celebritymusic fandommedia culturesaudience and reception studies
spellingShingle Toija Cinque
Sean Redmond
Lazarus Rises: Storying the Self in the Migrant Fandom of David Bowie
IASPM Journal
david bowie
popular music
stardom and celebrity
music fandom
media cultures
audience and reception studies
title Lazarus Rises: Storying the Self in the Migrant Fandom of David Bowie
title_full Lazarus Rises: Storying the Self in the Migrant Fandom of David Bowie
title_fullStr Lazarus Rises: Storying the Self in the Migrant Fandom of David Bowie
title_full_unstemmed Lazarus Rises: Storying the Self in the Migrant Fandom of David Bowie
title_short Lazarus Rises: Storying the Self in the Migrant Fandom of David Bowie
title_sort lazarus rises storying the self in the migrant fandom of david bowie
topic david bowie
popular music
stardom and celebrity
music fandom
media cultures
audience and reception studies
url https://iaspmjournal.net/index.php/IASPM_Journal/article/view/768/pdf
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