Fiction and Cyberspace: Reading Dickens in the Information Age

Moving from Dickens’s unfailing popularity as a successful cultural icon, this article addresses the relevance of literary classics in the face of the impact of digital communication and of experimental writing forms on the Internet, in the attempt to trace an ideal trajectory of the history and the...

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Main Author: Maria Cristina Paganoni
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2012-01-01
Series:Cahiers Victoriens et Edouardiens
Online Access:http://journals.openedition.org/cve/12215
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author Maria Cristina Paganoni
author_facet Maria Cristina Paganoni
author_sort Maria Cristina Paganoni
collection DOAJ
description Moving from Dickens’s unfailing popularity as a successful cultural icon, this article addresses the relevance of literary classics in the face of the impact of digital communication and of experimental writing forms on the Internet, in the attempt to trace an ideal trajectory of the history and the future of narrative from old to new media. Several analogies are detectable between the construction of fictional worlds typical of Victorian novels and digital entertainment media and storytelling genres, while the intense reader engagement Dickens established between his fiction and the social world is remindful of the online/offline identity performance of Internet users. The conclusive evidence that, despite many similarities, the digital turn of new media marks a major break with past knowledge paradigms, whose consequences are still to be fully assessed, does not detract in any ways from the meaningfulness of literary discourse in the Information Age, whose unending transformations call for a renewed critical activity.
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spelling doaj.art-5d88eb65b2ec42d59f15c03177ecd2782023-01-04T11:25:59ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492012-01-0110.4000/cve.12215Fiction and Cyberspace: Reading Dickens in the Information AgeMaria Cristina PaganoniMoving from Dickens’s unfailing popularity as a successful cultural icon, this article addresses the relevance of literary classics in the face of the impact of digital communication and of experimental writing forms on the Internet, in the attempt to trace an ideal trajectory of the history and the future of narrative from old to new media. Several analogies are detectable between the construction of fictional worlds typical of Victorian novels and digital entertainment media and storytelling genres, while the intense reader engagement Dickens established between his fiction and the social world is remindful of the online/offline identity performance of Internet users. The conclusive evidence that, despite many similarities, the digital turn of new media marks a major break with past knowledge paradigms, whose consequences are still to be fully assessed, does not detract in any ways from the meaningfulness of literary discourse in the Information Age, whose unending transformations call for a renewed critical activity.http://journals.openedition.org/cve/12215
spellingShingle Maria Cristina Paganoni
Fiction and Cyberspace: Reading Dickens in the Information Age
Cahiers Victoriens et Edouardiens
title Fiction and Cyberspace: Reading Dickens in the Information Age
title_full Fiction and Cyberspace: Reading Dickens in the Information Age
title_fullStr Fiction and Cyberspace: Reading Dickens in the Information Age
title_full_unstemmed Fiction and Cyberspace: Reading Dickens in the Information Age
title_short Fiction and Cyberspace: Reading Dickens in the Information Age
title_sort fiction and cyberspace reading dickens in the information age
url http://journals.openedition.org/cve/12215
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