Broken Phenomenology

1988, as the TV cycle ‘Decalogue’ was finished by Krzysztof Kieslowski, one of the most intriguing appearances throughout its episodes was the character of the silent witness, a young man played by Arthur Barciś. He is the first character who appears at the beginning of Decalogue I and therefore of...

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Main Author: Ana Ocoleanu
Format: Article
Language:deu
Published: Babes-Bolyai University 2023-11-01
Series:Diakrisis
Subjects:
Online Access:https://diakrisis.reviste.ubbcluj.ro/index.php/diakrisis/article/view/44
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author Ana Ocoleanu
author_facet Ana Ocoleanu
author_sort Ana Ocoleanu
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description 1988, as the TV cycle ‘Decalogue’ was finished by Krzysztof Kieslowski, one of the most intriguing appearances throughout its episodes was the character of the silent witness, a young man played by Arthur Barciś. He is the first character who appears at the beginning of Decalogue I and therefore of the whole series and who returns in eight from the ten films of the cycle in very different hypostases: as nomadic camper, surveyor, nurse, bus driver, or rowboat driver, traveler on foot or by bike etc. The film critics were intrigued by this character and interpreted him in different ways, especially in key either religious or ethical. They all and Kieslowski himself agreed that the silent witness is a strange and symbolic appearance that comes out from the frames of everyday life. It is as if a curtain would break or be torn and from beyond it something foreign and strange would appear, difficult to integrate into our categories, but which is surprisingly so eloquent for us. The phenomenology, that Kieslowski describes, is broken in this manner, but, paradoxically, also consolidated by this presence, that gives it meaning and content.
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spelling doaj.art-5daa872c2ace492385bd9aba913f9e652023-12-08T18:15:43ZdeuBabes-Bolyai UniversityDiakrisis2601-74152023-11-016394710.24193/diakrisis.2023.244Broken PhenomenologyAna Ocoleanu0https://orcid.org/0000-0003-0731-5032University of Craiova1988, as the TV cycle ‘Decalogue’ was finished by Krzysztof Kieslowski, one of the most intriguing appearances throughout its episodes was the character of the silent witness, a young man played by Arthur Barciś. He is the first character who appears at the beginning of Decalogue I and therefore of the whole series and who returns in eight from the ten films of the cycle in very different hypostases: as nomadic camper, surveyor, nurse, bus driver, or rowboat driver, traveler on foot or by bike etc. The film critics were intrigued by this character and interpreted him in different ways, especially in key either religious or ethical. They all and Kieslowski himself agreed that the silent witness is a strange and symbolic appearance that comes out from the frames of everyday life. It is as if a curtain would break or be torn and from beyond it something foreign and strange would appear, difficult to integrate into our categories, but which is surprisingly so eloquent for us. The phenomenology, that Kieslowski describes, is broken in this manner, but, paradoxically, also consolidated by this presence, that gives it meaning and content.https://diakrisis.reviste.ubbcluj.ro/index.php/diakrisis/article/view/44krzysztof kieslowskidecaloguephenomenologyethicscatholic moral theologytranscendenceotherness
spellingShingle Ana Ocoleanu
Broken Phenomenology
Diakrisis
krzysztof kieslowski
decalogue
phenomenology
ethics
catholic moral theology
transcendence
otherness
title Broken Phenomenology
title_full Broken Phenomenology
title_fullStr Broken Phenomenology
title_full_unstemmed Broken Phenomenology
title_short Broken Phenomenology
title_sort broken phenomenology
topic krzysztof kieslowski
decalogue
phenomenology
ethics
catholic moral theology
transcendence
otherness
url https://diakrisis.reviste.ubbcluj.ro/index.php/diakrisis/article/view/44
work_keys_str_mv AT anaocoleanu brokenphenomenology