SPECIFICITY OF INITIATION IN E. GRISHKOVETS’S MONODRAMA «HOW I ATE A DOG»

The paper is devoted to revealing initial motives in E. Grishkovets’s monodrama «How I Ate a Dog». Along with the ritual component, the author’s representation of military service includes absurdity that not only destroys the past of the hero and his memory of childhood, but also does not allow to f...

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Main Author: K. V. Sinegubova
Format: Article
Language:English
Published: Kemerovo State University 2014-09-01
Series:Вестник Кемеровского государственного университета
Subjects:
Online Access:https://vestnik.kemsu.ru/jour/article/view/1494
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author K. V. Sinegubova
author_facet K. V. Sinegubova
author_sort K. V. Sinegubova
collection DOAJ
description The paper is devoted to revealing initial motives in E. Grishkovets’s monodrama «How I Ate a Dog». Along with the ritual component, the author’s representation of military service includes absurdity that not only destroys the past of the hero and his memory of childhood, but also does not allow to form a new person, adult. Particular attention is given to access to cultural tradition, which is one of the main purposes of initiation and which becomes the main way of personality leveling in Grishkovets’s play. Central situation of the play – eating a dog – shows how the attempt to join an alien culture turns into destruction of the one’s own childhood. Thus, the initiation in E. Grishkovets’s play appears as a stub detaining a person in the “anti-world”. Instead of making a full-fledged hero and a respected member of the adult male, the world initiation destroys his personality.
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spelling doaj.art-5dbfea2a76b940dfb4609326f680cb902023-07-13T12:08:33ZengKemerovo State UniversityВестник Кемеровского государственного университета2078-89752078-89832014-09-0103-11811841493SPECIFICITY OF INITIATION IN E. GRISHKOVETS’S MONODRAMA «HOW I ATE A DOG»K. V. Sinegubova0Kemerovo State UniversityThe paper is devoted to revealing initial motives in E. Grishkovets’s monodrama «How I Ate a Dog». Along with the ritual component, the author’s representation of military service includes absurdity that not only destroys the past of the hero and his memory of childhood, but also does not allow to form a new person, adult. Particular attention is given to access to cultural tradition, which is one of the main purposes of initiation and which becomes the main way of personality leveling in Grishkovets’s play. Central situation of the play – eating a dog – shows how the attempt to join an alien culture turns into destruction of the one’s own childhood. Thus, the initiation in E. Grishkovets’s play appears as a stub detaining a person in the “anti-world”. Instead of making a full-fledged hero and a respected member of the adult male, the world initiation destroys his personality.https://vestnik.kemsu.ru/jour/article/view/1494dramainitiationе. grishkovets
spellingShingle K. V. Sinegubova
SPECIFICITY OF INITIATION IN E. GRISHKOVETS’S MONODRAMA «HOW I ATE A DOG»
Вестник Кемеровского государственного университета
drama
initiation
е. grishkovets
title SPECIFICITY OF INITIATION IN E. GRISHKOVETS’S MONODRAMA «HOW I ATE A DOG»
title_full SPECIFICITY OF INITIATION IN E. GRISHKOVETS’S MONODRAMA «HOW I ATE A DOG»
title_fullStr SPECIFICITY OF INITIATION IN E. GRISHKOVETS’S MONODRAMA «HOW I ATE A DOG»
title_full_unstemmed SPECIFICITY OF INITIATION IN E. GRISHKOVETS’S MONODRAMA «HOW I ATE A DOG»
title_short SPECIFICITY OF INITIATION IN E. GRISHKOVETS’S MONODRAMA «HOW I ATE A DOG»
title_sort specificity of initiation in e grishkovets s monodrama how i ate a dog
topic drama
initiation
е. grishkovets
url https://vestnik.kemsu.ru/jour/article/view/1494
work_keys_str_mv AT kvsinegubova specificityofinitiationinegrishkovetssmonodramahowiateadog