Transposing the Zeitgeist? Nikolaus Pevsner between Kunstgeschichte and Art History

Throughout his career, the German-born art historian Nikolaus Pevsner (1902-1983) attempted to elevate the history of art and the history of architecture to the status of academic disciplines in Britain, the country to which he had emigrated in 1933. His theoretical approach, centred around the stud...

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Main Author: Emilie Oléron Evans
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2014-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2014/11/olc3a9ronevans.pdf
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author Emilie Oléron Evans
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description Throughout his career, the German-born art historian Nikolaus Pevsner (1902-1983) attempted to elevate the history of art and the history of architecture to the status of academic disciplines in Britain, the country to which he had emigrated in 1933. His theoretical approach, centred around the study of the links between artistic forms, national characters and the concept of Zeitgeist, informed the historical language that he gradually caused to spread in the United Kingdom. However, his seemingly unsuccessful attempt to establish himself as a Kunsthistoriker in Britain, indicates the existence of a strong consensus around the idea that national characteristics govern the discipline of art history as much as they govern the art studied.
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spelling doaj.art-5e54053fd0bc4c4482bd4948d8eb3b422022-12-22T01:50:23ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522014-12-011111EOE1Transposing the Zeitgeist? Nikolaus Pevsner between Kunstgeschichte and Art HistoryEmilie Oléron Evans0Queen Mary College London and Université Sorbonne Nouvelle Paris IIIThroughout his career, the German-born art historian Nikolaus Pevsner (1902-1983) attempted to elevate the history of art and the history of architecture to the status of academic disciplines in Britain, the country to which he had emigrated in 1933. His theoretical approach, centred around the study of the links between artistic forms, national characters and the concept of Zeitgeist, informed the historical language that he gradually caused to spread in the United Kingdom. However, his seemingly unsuccessful attempt to establish himself as a Kunsthistoriker in Britain, indicates the existence of a strong consensus around the idea that national characteristics govern the discipline of art history as much as they govern the art studied.https://arthistoriography.files.wordpress.com/2014/11/olc3a9ronevans.pdfKunstgeschichteNikolaus Pevsnerdisplaced scholarintellectual immigrationart history as a disciplineZeitgeistWilhelm PinderAugust Schmarsow
spellingShingle Emilie Oléron Evans
Transposing the Zeitgeist? Nikolaus Pevsner between Kunstgeschichte and Art History
Journal of Art Historiography
Kunstgeschichte
Nikolaus Pevsner
displaced scholar
intellectual immigration
art history as a discipline
Zeitgeist
Wilhelm Pinder
August Schmarsow
title Transposing the Zeitgeist? Nikolaus Pevsner between Kunstgeschichte and Art History
title_full Transposing the Zeitgeist? Nikolaus Pevsner between Kunstgeschichte and Art History
title_fullStr Transposing the Zeitgeist? Nikolaus Pevsner between Kunstgeschichte and Art History
title_full_unstemmed Transposing the Zeitgeist? Nikolaus Pevsner between Kunstgeschichte and Art History
title_short Transposing the Zeitgeist? Nikolaus Pevsner between Kunstgeschichte and Art History
title_sort transposing the zeitgeist nikolaus pevsner between kunstgeschichte and art history
topic Kunstgeschichte
Nikolaus Pevsner
displaced scholar
intellectual immigration
art history as a discipline
Zeitgeist
Wilhelm Pinder
August Schmarsow
url https://arthistoriography.files.wordpress.com/2014/11/olc3a9ronevans.pdf
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