Psychosemantic Approach to Art (on a Material of Cinema)

This article discusses an application of psychosemantic methods for the analysis of viewer understanding. As an example, the movie “Sibirskiy Tsiryulnik” (“The Barber of Siberia”, directed by a famous politician N. mikhalkov) is taken, where Russian and American mentalities are juxtaposed. Basing on...

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Main Authors: Viktor F. Petrenko, Olga N. Sapsoleva
Format: Article
Language:English
Published: M.V. Lomonosov Moscow State University 2009-01-01
Series:Psychology in Russia: State of Art
Subjects:
Online Access:http://psychologyinrussia.com/volumes/pdf/2009/24_2009_petrenko_sapsoleva.pdf
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author Viktor F. Petrenko
Olga N. Sapsoleva
author_facet Viktor F. Petrenko
Olga N. Sapsoleva
author_sort Viktor F. Petrenko
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description This article discusses an application of psychosemantic methods for the analysis of viewer understanding. As an example, the movie “Sibirskiy Tsiryulnik” (“The Barber of Siberia”, directed by a famous politician N. mikhalkov) is taken, where Russian and American mentalities are juxtaposed. Basing on the works by m. Bakhtin and G. Kelly the concept of “art construct” is introduced. For the construction of semantic spaces of film perception the method of attribution of motives to film characters’ deeds was elaborated and used with the G. Kelly’s triadic method, followed by factor analysis
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spelling doaj.art-5e7bc4c37857448c93463ce6fe62f4de2022-12-21T18:43:03ZengM.V. Lomonosov Moscow State UniversityPsychology in Russia: State of Art2074-68572009-01-0112492516Psychosemantic Approach to Art (on a Material of Cinema)Viktor F. PetrenkoOlga N. SapsolevaThis article discusses an application of psychosemantic methods for the analysis of viewer understanding. As an example, the movie “Sibirskiy Tsiryulnik” (“The Barber of Siberia”, directed by a famous politician N. mikhalkov) is taken, where Russian and American mentalities are juxtaposed. Basing on the works by m. Bakhtin and G. Kelly the concept of “art construct” is introduced. For the construction of semantic spaces of film perception the method of attribution of motives to film characters’ deeds was elaborated and used with the G. Kelly’s triadic method, followed by factor analysishttp://psychologyinrussia.com/volumes/pdf/2009/24_2009_petrenko_sapsoleva.pdfArt psychologypsychosemanticsfilm perceptionpersonal and art constructsunderstandingdeedsemantic spacefactor analysis.
spellingShingle Viktor F. Petrenko
Olga N. Sapsoleva
Psychosemantic Approach to Art (on a Material of Cinema)
Psychology in Russia: State of Art
Art psychology
psychosemantics
film perception
personal and art constructs
understanding
deed
semantic space
factor analysis.
title Psychosemantic Approach to Art (on a Material of Cinema)
title_full Psychosemantic Approach to Art (on a Material of Cinema)
title_fullStr Psychosemantic Approach to Art (on a Material of Cinema)
title_full_unstemmed Psychosemantic Approach to Art (on a Material of Cinema)
title_short Psychosemantic Approach to Art (on a Material of Cinema)
title_sort psychosemantic approach to art on a material of cinema
topic Art psychology
psychosemantics
film perception
personal and art constructs
understanding
deed
semantic space
factor analysis.
url http://psychologyinrussia.com/volumes/pdf/2009/24_2009_petrenko_sapsoleva.pdf
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